The Essential Benjamin Britten
A Boy Was Born - 2 Lullay, Jesu
A Boy Was Born - 4 Jesu, as Thou Art Our Saviour
A Boy Was Born - 6 In the Bleak Mid-winter
A Ceremony of Carols, Op. 28 - Adam lag gebunden
A Ceremony of Carols, Op. 28 - Bubaideli
A Ceremony of Carols, Op. 28 - Der kleine Knab
A Ceremony of Carols, Op. 28 - Es ist kein Ros
A Ceremony of Carols, Op. 28 - Fruhlingschor
A Ceremony of Carols, Op. 28 - Hodie Christus, natus est
A Ceremony of Carols, Op. 28 - In kalter Wintersnacht
A Ceremony of Carols, Op. 28 - Intermezzo
A Ceremony of Carols, Op. 28 - Introduction
A Ceremony of Carols, Op. 28 - Wann hub dies Kindlein
A Ceremony of Carols, Op. 28 - Wie Tau im Aprill
A Ceremony of Carols, Op. 28 - Willkumm, Jul!
A Hymn of St. Columba, 'Regis regum rectissimi'
A Hymn to the Virgin, for double chorus
A Shepherd's Carol, for chorus
Ah No! (Uit Death in Venice Op.88)
Alla Marcia, for string quartet
Ballad of Little Musgrave and Lady Barnard, for male chorus & piano
Bruce Ubukata reads from a memoir by Benjamin Britten
Canadian Carnival, for orchestra, Op. 19
Canticle I, My beloved is mine op. 40
Canticle II, Abraham and Isaac, op. 51
Canticle III, Still falls the rain, op. 55
Festival Te Deum, for trumpet, chorus & organ, Op. 32
Hymn of St. Columba (Regis regum rectissimi), for chorus & organ
Hymn to St. Cecilia, for chorus, Op. 27
Hymn to St. Peter, for trumpet, chorus & organ, Op. 56a
Introduction & Rondo alla burlesca, op. 23, No. 1
Introduction and Rondo alla Burlesca, Op. 23 No. 1
La Belle est au Jardin d'amour
Lachrymae (Reflections on a song by John Dowland), Op. 48a
Lachrymae, Reflections on a Song of Dowland, for Solo Viola and String Orchestra, Op. 48A
Lachrymae, reflections on a song of Dowland, for viola & string orchestra, Op. 48a
Lachrymae, Reflections on a Song of Dowland, Op. 48
Le roi s'en va-t'en chasse, for voice & piano (Folk Songs, Vol. 2) Le roi s'en va-t'en chasse
Mazurka elegiaca, Op. 23 No. 2
Men of Goodwill, variations on a carol for orchestra
Musicians Discuss Benjamin Britten
Night Piece (Notturno), for piano
Not even summer yet, song for high voice & piano
Now sleeps the crimson petal, song for tenor, horn & strings
O That I Had Ne'er Been Married
O Why Did E're My Thought Aspire
Of A' the Airts the Wind Can Blaw
Phantasy Quartet, for oboe & string trio in F minor, Op. 2
Phantasy, for string quintet in F minor
Prelude & Fugue, for 18 strings, Op. 29
Prelude and Fugue for 18-part String Orchestra, Op. 29
Psalm 150 for voices & orchestra, op. 67
Russian Funeral, for brass & percussion
Scottish Ballad, for 2 pianos & orchestra, Op. 26
Scottish Ballad, op. 26, for two pianos and orchestra
Serenade For Tenor Horn & Strings, op.31 - Epilogue
Serenade for tenor, horn & strings
Serenade for Tenor, Horn & Strings, Op. 31 - Prologue
Serenade for tenor, horn & strings, Op.31 - 1. Prologue
Serenade for tenor, horn & strings, Op.31 - 4. Elegy - O Rose, Thou Art Sick
Serenade for tenor, horn & strings, Op.31 - 5. Dirge - This Ae Night
Serenade for tenor, horn & strings, Op.31 - 6. Hymn - Queen and Huntress Chaste and Fair
Serenade for tenor, horn & strings, Op.31 - 7. Sonnet - O Soft Embalmer of the Still Midnight
Serenade for tenor, horn & strings, Op.31 - 8. Epilogue
Seven Sonnets of Michelangelo, op.22 - Sonetto LV
Seven Sonnets of Michelangelo, op.22 - Sonetto XVI
Seven Sonnets of Michelangelo, op.22 - Sonetto XXIV
Seven Sonnets of Michelangelo, op.22 - Sonetto XXX
Seven Sonnets of Michelangelo, op.22 - Sonetto XXXI
Seven Sonnets of Michelangelo, op.22 - Sonetto XXXII
Seven Sonnets of Michelangelo, op.22 - Sonetto XXXVIII
Storm from 'Peter Grimes', Op. 33
String Quartet No.2 in C Op.36 - I Allegro calmo senza rigore
String Quartet No.2 in C Op.36 - II Vivace
String Quartet No.2 in C Op.36 - III Chacony, sostenuto
String Quartet No.3 Op.94 - I Duets
String Quartet No.3 Op.94 - II Ostinato
String Quartet No.3 Op.94 - III Solo
String Quartet No.3 Op.94 - IV Burlesque
Unidentified Folk Song Setting
Untitled Fragment (1930) for Strings
Variations theme of Frank Bridge
When You're Feeling Like Expressing Your Affection
Winter Words, op.52 - At day-close in November
Winter Words, op.52 - At the railway station, Upway
Winter Words, op.52 - Before life and after
Winter Words, op.52 - Midnight on the Great Western
Winter Words, op.52 - Proud songsters
Winter Words, op.52 - Wagtail and baby
2 Two-Part Songs: I. I Lov'd a Lass
2 Two-Part Songs: II. Lift Boy
5 Flower Songs, op. 47: I. To Daffodils
5 Flower Songs, op. 47: III. Marsh Flowers
5 Flower Songs, op. 47: V. Ballad of Green Broom
6 Hölderlin Fragments, op. 61: I. Menschenbeifall
6 Hölderlin Fragments, op. 61: II. Die Heimat
6 Hölderlin Fragments, op. 61: III. Sokrates und Alcibiades
6 Hölderlin Fragments, op. 61: IV. Die Jugend
6 Hölderlin Fragments, op. 61: V. Hälfte des Lebens
6 Hölderlin Fragments, op. 61: VI. Die Linien des Lebens
6 Metamorphoses after Ovid, op. 49: I. Pan
6 Metamorphoses after Ovid, op. 49: II. Phaeton
6 Metamorphoses after Ovid, op. 49: III. Niobe
6 Metamorphoses after Ovid, op. 49: IV. Bacchus
6 Metamorphoses after Ovid, op. 49: V. Narcissus
6 Metamorphoses after Ovid, op. 49: VI. Arethusa
A boy was born, op. 3: Variation 1: Lullay, Jesu
A boy was born, op. 3: Variation 2: Herod
A boy was born, op. 3: Variation 3: Jesu As Thou Art Our Saviour
A boy was born, op. 3: Variation 5: in the Bleak Mid-Winter
A boy was born, op. 3: Variation 6: Finale: Noel!
A Boy Was Born, op.3: Variation I: Lullay, Jesu
A Boy Was Born, op.3: Variation II: Herod
A Boy Was Born, op.3: Variation III: Jesu, as Thou Art Our Saviour
A Boy Was Born, op.3: Variation V: In the Bleak Mid-Winter
A Boy Was Born, op.3: Variation VI: Finale - Noel!
A Brisk Young Widow: Arr. Britten
A Ceremony of Carols : Balulalow
A Ceremony of Carols : Deo Gracias
A Ceremony of Carols : Spring Carol
A Ceremony of Carols : This little Babe
A Ceremony of Carols : Wolkum Yole
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 11. Recession
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 5. As dew in Aprille
A Ceremony of Carols, op. 28: Deo Gratias
A Ceremony of Carols, Op. 28: IVa. That Young Child
A Ceremony of Carols, op. 28: That Yonge Child
A Ceremony of Carols, op.28: As Dew in Aprille
A Ceremony of Carols, op.28: Balulalow
A Ceremony of Carols, op.28: Deo Gracias - Adam Lay Ibounden
A Ceremony of Carols, op.28: In Freezing Winter Night
A Ceremony of Carols, op.28: Interlude
A Ceremony of Carols, op.28: Procession
A Ceremony of Carols, op.28: Recession
A Ceremony of Carols, op.28: Spring Carol
A Ceremony of Carols, op.28: That Youngë Child
A Ceremony of Carols, op.28: This Little Babe
A Ceremony of Carols, op.28: Wolcum Yole!
A Charm of Lullabies, op. 41: I. Cradle Song
A Charm of Lullabies, op. 41: III. Sephestia's Lullaby
A Charm of Lullabies, op. 41: IV. A Charm
A Charm of Lullabies: 1. Cradle Song
A Charm of Lullabies: 3. Sephestia's Lullaby
A Charm of Lullabies: 4. A Charm
A Midsummer Night's Dream, opera, Op. 64: Act 1. Be it on lion, bear, or wolf, or bull
A Midsummer Night's Dream, opera, Op. 64: Act 1. Come, now a roundel and a fairy song
A Midsummer Night's Dream, opera, Op. 64: Act 1. Fair love, you faint with wand'ring in the wood
A Midsummer Night's Dream, opera, Op. 64: Act 1. How now my love?
A Midsummer Night's Dream, opera, Op. 64: Act 1. Is all our company here?
A Midsummer Night's Dream, opera, Op. 64: Act 1. Oberon is passing fell and wrath
A Midsummer Night's Dream, opera, Op. 64: Act 1. Stay, though thou kill me, sweet Demetrius
A Midsummer Night's Dream, opera, Op. 64: Act 1. Through the forest have I gone
A Midsummer Night's Dream, opera, Op. 64: Act 1. Welcome wanderer... I know a bank
A Midsummer Night's Dream, opera, Op. 64: Act 1. Well, go thy way
A Midsummer Night's Dream, opera, Op. 64: Act 1. What thou seest when thou dost wake
A Midsummer Night's Dream, opera, Op. 64: Act 1. You spotted snakes with double tongue
A Midsummer Night's Dream, opera, Op. 64: Act 2. Are we all met?
A Midsummer Night's Dream, opera, Op. 64: Act 2. Be kind and courteous to this gentleman
A Midsummer Night's Dream, opera, Op. 64: Act 2. Flower of this purple dye
A Midsummer Night's Dream, opera, Op. 64: Act 2. Hail, mortal, hail!
A Midsummer Night's Dream, opera, Op. 64: Act 2. How now, mad spirit?
A Midsummer Night's Dream, opera, Op. 64: Act 2. I see their knavery
A Midsummer Night's Dream, opera, Op. 64: Act 2. On the ground, sleep sound
A Midsummer Night's Dream, opera, Op. 64: Act 2. Puppet? Why, so?
A Midsummer Night's Dream, opera, Op. 64: Act 2. This is thy negligence
A Midsummer Night's Dream, opera, Op. 64: Act 2. Up and down, up and down
A Midsummer Night's Dream, opera, Op. 64: Act 3. Asleep, my love?
A Midsummer Night's Dream, opera, Op. 64: Act 3. Come, your Bergomask
A Midsummer Night's Dream, opera, Op. 64: Act 3. Gentles, perchance you wonder at this show
A Midsummer Night's Dream, opera, Op. 64: Act 3. Have you sent to Bottom's house?
A Midsummer Night's Dream, opera, Op. 64: Act 3. Helena! Hermia! Demetrius! Lysander!
A Midsummer Night's Dream, opera, Op. 64: Act 3. If we offend, it is with our good will
A Midsummer Night's Dream, opera, Op. 64: Act 3. In this same interlude it doth befall
A Midsummer Night's Dream, opera, Op. 64: Act 3. Now the hungry lion roars
A Midsummer Night's Dream, opera, Op. 64: Act 3. O grim-look'd night, O night with hue so black
A Midsummer Night's Dream, opera, Op. 64: Act 3. O Wall, full often hast thou heard my moans
A Midsummer Night's Dream, opera, Op. 64: Act 3. Sweet Moon, I thank thee for thy sunny beams
A Midsummer Night's Dream, opera, Op. 64: Act 3. This lanthorn doth the hornèd moon present
A Midsummer Night's Dream, opera, Op. 64: Act 3. When my cue comes, call me
A Midsummer Night's Dream, opera, Op. 64: Act 3. You ladies, you whose gentle hearts do fear
A Midsummer Night's Dream, opera, Op. 64: I have a reas'nable good ear in music
A Midsummer Night's Dream: I Know a Bank
A Wealden Trio: Christmas Song of the Women
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: God's Grandeur
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Heaven-Haven
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: O deus, ego amo te
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Prayer 1
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Prayer 2
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Rosa Mystica
Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 1. Funeral March
Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 2. Scherzo
Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 3. Recitative and Choral
Ballad Of Heroes, op. 14: I. Funeral March
Ballad Of Heroes, op. 14: II. Scherzo
Ballad Of Heroes, op. 14: III. Recitative & Choral
Ballads (2), for 2 voices & piano: 1. Mother Comfort
Ballads (2), for 2 voices & piano: 2. Underneath the Abject Willow
Beware!, early songs (3) for medium voice & piano: 1. Beware!
Beware!, early songs (3) for medium voice & piano: 2. O that I had ne'er been married
Billy Bud, Act Four: Epilogue: We committed his body to the deep.
Billy Bud, Act Four: Scene I: And farewell to ye, old Rights o' Man!
Billy Bud, Act Four: Scene I: Here! Baby! – Dansker, old friend
Billy Bud, Act Four: Scene I: Look! Through the port comes the moonshine
Billy Bud, Act Four: Scene II: Down all hands!
Billy Bud, Act One: Prologue: I am an old man who has experienced much.
Billy Bud, Act One: Scene I: Billy Budd, king of the birds!
Billy Bud, Act One: Scene I: Boat ahoy! – Guard boat!
Billy Bud, Act One: Scene I: Christ, the poor chap, the poor little runt
Billy Bud, Act One: Scene I: Come along, kid!
Billy Bud, Act One: Scene I: I heard, your honour!
Billy Bud, Act One: Scene I: Pull, my bantams! Pull, my sparrowlegs!
Billy Bud, Act One: Scene I: To report having boarded
Billy Bud, Act One: Scene I: Vere! – Officers and men of the Indomitable
Billy Bud, Act Three: Scene I: I don't like the look of the mist
Billy Bud, Act Three: Scene I: Interlude
Billy Bud, Act Three: Scene I: Well, what is it, Master-at-Arms
Billy Bud, Act Three: Scene II: Claggart, John Claggart, beware!
Billy Bud, Act Three: Scene II: I accept their verdict
Billy Bud, Act Three: Scene II: Master-at-Arms and foretopman, I speak to you both
Billy Bud, Act Three: Scene II: William Budd, you are accused by Captain Vere
Billy Bud, Act Two: Scene I: Any danger of French notions
Billy Bud, Act Two: Scene I: Boy! My compliments to Mr. Redburn
Billy Bud, Act Two: Scene I: Land on the port bow, sir.
Billy Bud, Act Two: Scene II: Billy went to his bag
Billy Bud, Act Two: Scene II: Blow her away, blow her to Hilo
Billy Bud, Act Two: Scene II: I, John Claggart, Master-at-Arms
Billy Bud, Act Two: Scene II: O beauty, o handsomeness
Billy Bud, Act Two: Scene II: Why had it to be Billy, the one we all love?
Billy Budd, opera, op. 50: Interlude and Sea Shanties
British Folk Songs: Little Sir William
British Folk Songs: Oliver Cromwell
Britten: Festival Te Deum, Op. 32
Britten: Rejoice in the Lamb, Op. 30: I. Rejoice in God, O Ye Tongues
Britten: Rejoice in the Lamb, Op. 30: II. For I Will Consider My Cat Jeoffrey
Britten: Rejoice in the Lamb, Op. 30: III. For the Mouse Is a Creature of Great Personal Valour
Britten: Rejoice in the Lamb, Op. 30: IV. For the Flowers Are Great Blessings
Britten: Rejoice in the Lamb, Op. 30: V. For I Am Under the Same Accusation with My Saviour
Britten: Rejoice in the Lamb, Op. 30: VIII. Hallelujah from the Heart of God
Britten: String Quartet No. 3, Op. 94: V. Recitative and Passacaglia 'La Serenissima' (Slow)
Cantata Academica, (Carmen basiliense) op. 62: I. Bonorum summun omnium II: Quae bene beateque
Cantata Academica, (Carmen basiliense) op. 62: VI: Et gubernacula. VII: Ut ad longaeva tempora
Cantata Academica, (Carmen basiliense) op. 62: VIII: Docendi ac discendi
Canticle I: My Beloved is mine
Canticle I: My Beloved Is Mine, for high voice & piano, Op. 40
Canticle II: Abraham and Isaac
Canticle II: Abraham and Isaac, for alto, tenor & piano, Op. 51
Canticle III: Still Falls the Rain
Canticle III:Still Falls the Rain, for tenor, horn & piano, Op. 55
Canticle IV: Journey of the Magi
Canticle IV: Journey of the Magi, op. 86
Canto primo: Sostenuto e largamente
Cello Suite No. 1, Op. 72: VI. Molto perpetuo e Canto
Cello Suite No.1, op.72: 1. Fuga: Andante moderato
Cello Suite No.1, op.72: 2. Lamento: Lento rubato
Cello Suite No.1, op.72: 4. Marcia: Alla marcia moderato
Cello Suite No.1, op.72: 5. Bordone: Moderato quasi recitativo
Cello Suite No.1, op.72: 6. Moto perpetuo e Canto quarto: Presto · Sostenuto
Cello Suite No.1, op.72: Canto primo: Sostenuto e largamente
Cello Suite No.1, op.72: Canto secondo: Sostenuto
Cello Suite No.1, op.72: Canto terzo: Sostenuto
Cello Suite No.2, op.80: I. Declamato: Largo
Cello Suite No.2, op.80: II. Fuga: Andante
Cello Suite No.2, op.80: III. Scherzo: Allegro molto
Cello Suite No.2, op.80: IV. Andante lento
Cello Suite No.2, op.80: V. Ciaccona: Allegro
Cello Suite No.3, op.87: 1. Introduzione: Lento
Cello Suite No.3, op.87: 2. Marcia: Allegro
Cello Suite No.3, op.87: 3. Canto: Con moto
Cello Suite No.3, op.87: 4. Barcarolla: Lento
Cello Suite No.3, op.87: 5. Dialogo: Allegretto
Cello Suite No.3, op.87: 6. Fuga: Andante espressivo
Cello Suite No.3, op.87: 7. Recitativo: Fantastico
Cello Suite No.3, op.87: 8. Moto perpetuo: Presto
Cello Suite No.3, op.87: 9. Passacaglia: Lento solenne
Cello Suite No.3, op.87: 9. Three Russian folk songs & Grand Repose
Cello Symphony, for cello & orchestra, Op. 68: 1. Allegro maestoso
Cello Symphony, for cello & orchestra, Op. 68: 2. Presto inquieto
Cello Symphony, for cello & orchestra, Op. 68: 3. Adagio
Cello Symphony, for cello & orchestra, Op. 68: Cadenza
Ceremony of Carols, op. 28: Adam Lay I-Bounden
Ceremony of Carols, op. 28: As Dew in Aprille
Ceremony of Carols, op. 28: Balulalow
Ceremony of Carols, op. 28: Deo Gracias
Ceremony of Carols, op. 28: In Freezing Winter Night
Ceremony of Carols, op. 28: Procession
Ceremony of Carols, op. 28: Recession
Ceremony of Carols, op. 28: Spring Carol
Ceremony of Carols, op. 28: That Yonge Child
Ceremony of Carols, op. 28: This Little Babe
Ceremony of Carols, op. 28: Wolcom Yule!
Ceremony of Carols, op. 28: Wolcum Yole!
Ceremony of Carols, Op.28: Balulalow
Ceremony of Carols: Procession
Chansons Françaises (4), for voice & orchestra: 1. Les Nuits de juin
Chansons Françaises (4), for voice & orchestra: 2. Sagesse
Chansons Françaises (4), for voice & orchestra: 3. L'Enfance
Chansons Françaises (4), for voice & orchestra: 4. Chanson d'automne
Character Pieces (3), for piano: 1. Poco allegro vivace
Character Pieces (3), for piano: 2. Poco andante grazioso
Character Pieces (3), for piano: 3. Poco presto e molto capriccioso
Choral Dances from 'Gloriana': Concord
Christ's Nativity: Christmas Suite For Chorus: Carol Of King Cnut
Christ's Nativity: Christmas Suite For Chorus: Christ's Nativity
Christ's Nativity: Christmas Suite For Chorus: New Prince, New Pomp
Christ's Nativity: Christmas Suite For Chorus: Preparations
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Ah, Serenissima!
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Aou'! Stagando, aou'
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: First, the race!
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: My mind beats on
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Mysterious gondola
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Overture: Venice
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Was I wrong to come?
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Do I detect a scent?
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Guardate, Signore!
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Hurrah for the Piazza
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: In these last years
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Interlude: Ah, no!
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: So it is true
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: So, it has come to this
Diversions for Piano Left Hand and Orchestra, Op. 21: Variation X. Adagio
Divertimenti (3), for string quartet: 1. March
Divertimenti (3), for string quartet: 2. Waltz
Divertimenti (3), for string quartet: 3. Burlesque
Double Concerto For Violin, Viola & Orchestra: I. Allegro Ma Non Troppo
Double Concerto For Violin, Viola & Orchestra: II. Rhapsody. Poco Lento
Double Concerto For Violin, Viola & Orchestra: III. Allegro Scherzando. Allegro Non Troppo
Early One Morning: Arr. Benjamin Britten
Folk Song Arrangemens (British Isles): O can ye sew cushions?
Folksongs: Il est quelqu'un sur terre
Folksongs: Quand j'étais chez mon père
Four Cabaret Songs: Funeral Blues
Four Cabaret Songs: O Tell Me the Truth About Love
Friday Afternoons, Op. 7: Cuckoo!
Gloriana, op. 53, Act 1 Scene 1: Fanfare
Gloriana, op. 53, Act 1 Scene 1: I. Prelude
Gloriana, op. 53, Act 1 Scene 1: III. Recitative & Fight
Gloriana, op. 53, Act 1 Scene 1: IV. Entrance of the Queen
Gloriana, op. 53, Act 1 Scene 1: IX. Recitative & Final March
Gloriana, op. 53, Act 1 Scene 1: V. Recitative
Gloriana, op. 53, Act 1 Scene 1: VII. Raleigh's Song
Gloriana, op. 53, Act 1 Scene 1: VIII. Ensemble of Reconciliation
Gloriana, op. 53, Act 1 Scene 2: 1II. Cecil's Song of Government
Gloriana, op. 53, Act 1 Scene 2: 1III. Recitative & Essex's Entry
Gloriana, op. 53, Act 1 Scene 2: 1IV. First Lute Song
Gloriana, op. 53, Act 1 Scene 2: 1V. Second Lute Song
Gloriana, op. 53, Act 1 Scene 2: 1VII. Soliloquy & Prayer
Gloriana, op. 53, Act 1 Scene 2: X. Prelude & Dialogue
Gloriana, op. 53, Act 2 Scene 1: 1VIII. Prelude & Welcome
Gloriana, op. 53, Act 2 Scene 1: 20. Finale
Gloriana, op. 53, Act 2 Scene 2: 2I. Prelude & Song
Gloriana, op. 53, Act 2 Scene 2: 2II. Duet
Gloriana, op. 53, Act 2 Scene 2: 2III. Double Duet
Gloriana, op. 53, Act 2 Scene 2: 2IV. Quartet
Gloriana, op. 53, Act 2 Scene 3: 2IX. Lavolta
Gloriana, op. 53, Act 2 Scene 3: 2V. Pavane
Gloriana, op. 53, Act 2 Scene 3: 2VI. Conversation
Gloriana, op. 53, Act 2 Scene 3: 2VII. Galliard
Gloriana, op. 53, Act 2 Scene 3: 2VIII. Conversation & the Queen's Entrance
Gloriana, op. 53, Act 2 Scene 3: 30. Conversation
Gloriana, op. 53, Act 2 Scene 3: 3I. Morris dance
Gloriana, op. 53, Act 2 Scene 3: 3II. Recitative
Gloriana, op. 53, Act 2 Scene 3: 3IV. Quartet
Gloriana, op. 53, Act 2 Scene 3: 3V. March
Gloriana, op. 53, Act 2 Scene 3: 3VII. Ensemble
Gloriana, op. 53, Act 2 Scene 3: 3VIII. Coranto
Gloriana, op. 53, Act 3 Scene 1: 3IX. Prelude & Chatter
Gloriana, op. 53, Act 3 Scene 1: 40. Essex's Intrusion
Gloriana, op. 53, Act 3 Scene 1: 4IV. Cecil's Report
Gloriana, op. 53, Act 3 Scene 1: 4V. Discussion
Gloriana, op. 53, Act 3 Scene 2: 4VII. Ballad: Rondo
Gloriana, op. 53, Act 3 Scene 3: 4IX. Cecil's Warning
Gloriana, op. 53, Act 3 Scene 3: 4VIII. Prelude & Verdict
Gloriana, op. 53, Act 3 Scene 3: 5I. Trio
Gloriana, op. 53, Act 3 Scene 3: 5II. Lady Essex's Pleading
Gloriana, op. 53, Act 3 Scene 3: 5III. Penepole Rich's Pleading
Gloriana, op. 53, Act 3 Scene 3: 5IV. Epilogue
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 4. Gloriana moritura
Gloriana: Act I - Scene 1: 1. Prelude
Gloriana: Act I - Scene 1: 3. Recitative & Fight
Gloriana: Act I - Scene 1: 4. Entrance of the Queen
Gloriana: Act I - Scene 1: 5. Recitative
Gloriana: Act I - Scene 1: 7. Raleigh's Song
Gloriana: Act I - Scene 1: 8. Ensemble of Reconciliation
Gloriana: Act I - Scene 1: 9. Recitative & Final March
Gloriana: Act I - Scene 2: 1. Prelude & Dialogue
Gloriana: Act I - Scene 2: 3. Cecil's Song of Government
Gloriana: Act I - Scene 2: 4. Recitative & Essex's Entry
Gloriana: Act I - Scene 2: 5. First Lute Song
Gloriana: Act I - Scene 2: 6. Second Lute Song
Gloriana: Act I - Scene 2: 8. Soliloquy & Prayer
Gloriana: Act II - Scene 1: 1. Prelude & Welcome
Gloriana: Act II - Scene 1: 3. Finale
Gloriana: Act II - Scene 2: 1. Prelude & Song
Gloriana: Act II - Scene 2: 2. Duet
Gloriana: Act II - Scene 2: 3. Double Duet
Gloriana: Act II - Scene 2: 4. Quartet
Gloriana: Act II - Scene 3: 1. Pavane
Gloriana: Act II - Scene 3: 10. Quartet
Gloriana: Act II - Scene 3: 11. March
Gloriana: Act II - Scene 3: 13. Ensemble
Gloriana: Act II - Scene 3: 14. Coranto
Gloriana: Act II - Scene 3: 2. Conversation
Gloriana: Act II - Scene 3: 3. Galliard
Gloriana: Act II - Scene 3: 4. Conversation & the Queen's Entrance
Gloriana: Act II - Scene 3: 5. Lavolta
Gloriana: Act II - Scene 3: 6. Conversation
Gloriana: Act II - Scene 3: 7. Morris dance
Gloriana: Act II - Scene 3: 8. Recitative
Gloriana: Act III - Scene 1: 1. Prelude & Chatter
Gloriana: Act III - Scene 1: 2. Essex's Intrusion
Gloriana: Act III - Scene 1: 6. Cecil's Report
Gloriana: Act III - Scene 1: 7. Discussion
Gloriana: Act III - Scene 2: Ballad - Rondo
Gloriana: Act III - Scene 3: 1. Prelude & Verdict
Gloriana: Act III - Scene 3: 2. Cecil's Warning
Gloriana: Act III - Scene 3: 4. Trio
Gloriana: Act III - Scene 3: 5. Lady Essex's Pleading
Gloriana: Act III - Scene 3: 6. Penepole Rich's Pleading
Gloriana: Act III - Scene 3: 7. Epilogue
Heigh Ho! Heigh Ho!: Trans. Rogers, Arr. Britten
Holiday Diary, suite for piano, Op. 5: 1. Early morning bathe
Holiday Diary, suite for piano, Op. 5: 2. Sailing
Holiday Diary, suite for piano, Op. 5: 3. Funfair
Holiday Diary, suite for piano, Op. 5: 4. Night
Hymn to St. Cecilia (1942), op. 27: I cannot grow
Hymn to St. Cecilia (1942), op. 27: In a garden shady
Hymn to St. Cecilia (1942), op. 27: O ear whose creatures
Hymn to St. Cecilia, for chorus, Op. 27: 1. In a garden shady this holy lady
Hymn to St. Cecilia, for chorus, Op. 27: 2. I cannot grow
Hymn to St. Cecilia, for chorus, Op. 27: 3. O ear whose creatures cannot wish to fail
Il est quelqu'un sur terre: Arr. Britten
In Memoriam Dennis Brain (c1958), In Memorium Dennis Brain (c1958): Allegro
In Memoriam Dennis Brain (c1958), In Memorium Dennis Brain (c1958): Introduction
IV. Marcia: Alla marcia moderato
Johnson Over Jordan (Suite): Approach of Death
Johnson Over Jordan (Suite): End Music
Johnson Over Jordan (Suite): Incinerators' Ballet
Johnson Over Jordan (Suite): Introduction
Johnson Over Jordan (Suite): Overture
Les Illuminations, op. 18: A Une Raison
Les Illuminations, op. 18: Aube
Les Illuminations, op. 18: I. Fanfare
Les Illuminations, op. 18: II. Villes
Les Illuminations, op. 18: IIIa. Phrase
Les Illuminations, op. 18: IIIb. Antique
Les Illuminations, op. 18: IV. Royauté
Les Illuminations, op. 18: IX. Départ
Les Illuminations, op. 18: Phrase
Les Illuminations, op. 18: V. Marine
Les Illuminations, op. 18: VI. Interlude
Les Illuminations, op. 18: VII. Being beauteous
Les Illuminations, op. 18: VIII. Parade
Les illuminations, song cycle for high voice & strings, Op. 18: 1. Fanfare
Les illuminations, song cycle for high voice & strings, Op. 18: 2. Villes
Les illuminations, song cycle for high voice & strings, Op. 18: 3a. Phrase
Les illuminations, song cycle for high voice & strings, Op. 18: 3b. Antique
Les illuminations, song cycle for high voice & strings, Op. 18: 4. Royauté
Les illuminations, song cycle for high voice & strings, Op. 18: 5. Marine
Les illuminations, song cycle for high voice & strings, Op. 18: 6. Interlude
Les illuminations, song cycle for high voice & strings, Op. 18: 7. Being Beauteous
Les illuminations, song cycle for high voice & strings, Op. 18: 8. Parade
Les illuminations, song cycle for high voice & strings, Op. 18: 9. Départ
Little Sir William: Arr. Britten
Love From A Stranger, Love From A tranger: I. Title Music
Love From A Stranger, Love From A tranger: II. Traffic Music
Love From A Stranger, Love From A tranger: III. Brighton
Love From A Stranger, Love From A tranger: IV. Love Music
Love From A Stranger, Love From A tranger: V. Channel Crossing
Love From A Stranger, Love From A tranger: VI. End Titles
Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: March
Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Moto perpetuo
Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Nocturne
Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Pantomime
Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Waltz
Matinées musicales, op. 24: I. March
Matinées musicales, op. 24: II. Nocturne
Matinées musicales, op. 24: III. Waltz
Matinées musicales, op. 24: IV. Pantomime
Matinées musicales, op. 24: V. Moto Perpetuo
Men Behind the Meters: Allegro moderato: 1935 Sequence
Men Behind the Meters: Title Music
Men Of Goodwill: Variations On A Christmas Carol
Missa brevis, op. 63: I. Kyrie eleison
Missa brevis, op. 63: II. Gloria in excelsis Deo
Missa brevis, op. 63: III. Sanctus...Benedictus
Missa brevis, op. 63: IV. Agnus Dei
Mont Juic: Suite of Catalan Dances, op. 12: I. Lament: Andante Moderato
Mont Juic: Suite of Catalan Dances, op. 12: II. Allegro Molto
Movements For a Clarinet Concerto (c1942): 1.
Movements For a Clarinet Concerto (c1942): 2.
Movements For a Clarinet Concerto (c1942): 3.
Negroes: Music from GPO Film: Allegro appassionato
Negroes: Music from GPO Film: II. Allegro
Negroes: Music from GPO Film: III. Allegro ritmico
Negroes: Music from GPO Film: IV. Andante con moto
Negroes: Music from GPO Film: VI. Andante con molto moto
Negroes: Music from GPO Film: VII. Allegro ritmico
Night Mail: Percussion Sequence
Nocturnal After John Dowland, Op. 70 (Reflections on 'Come, Heavy Sleep'): VIII. Passacaglia
Nocturne, for tenor, 7 instruments & strings, Op. 60: Below the thunders of the upper deep
Nocturne, for tenor, 7 instruments & strings, Op. 60: But that night when on my bed I lay
Nocturne, for tenor, 7 instruments & strings, Op. 60: Encinctured with a twine of leaves
Nocturne, for tenor, 7 instruments & strings, Op. 60: On a poet's lips I slept
Nocturne, for tenor, 7 instruments & strings, Op. 60: She sleeps on soft, last breaths
Nocturne, for tenor, 7 instruments & strings, Op. 60: What is more gentle whan a wind in summer?
Nocturne, for tenor, 7 instruments & strings, Op. 60: When most I wink, then do my eyes best see
Noye's Fludde, children's opera, Op. 59: Eternal Father, strong to save
Noye's Fludde, children's opera, Op. 59: I, God, that all this worlde hath wroughte
Noye's Fludde, children's opera, Op. 59: It is good for to be still
Noye's Fludde, children's opera, Op. 59: Lord Jesus, think on me
Noye's Fludde, children's opera, Op. 59: Now forty dayes are fullie gone
Noye's Fludde, children's opera, Op. 59: Now in the name of God I will begyne
Noye's Fludde, children's opera, Op. 59: Noye, heare I behette thee a heste
Noye's Fludde, children's opera, Op. 59: Noye, Noye, take thou thy company
Noye's Fludde, children's opera, Op. 59: Noye, take they wife anone
Noye's Fludde, children's opera, Op. 59: O, Lorde, I thanke thee lowde and still
Noye's Fludde, children's opera, Op. 59: Sir! Here are lions, lepardes, in
Noye's Fludde, children's opera, Op. 59: Wiffe, come in!
Noye's Fludde, children's opera, Op. 59: Wyffe, in this vessel we shall be kepte
Noye's Fludde, Op. 59: X. Noye, heare I behette thee a heste
On This Island, Op. 11: I. Let the Florid Music Praise
On This Island, Op. 11: II. Now the Leaves Are Falling Fast
On This Island, Op. 11: III. Seascape
On This Island, Op. 11: IV. Nocturne
On This Island, Op. 11: V. As It Is, Plenty
On this Island, song cycle for voice & piano, Op. 11: 1. Let the florid music praise!
On this Island, song cycle for voice & piano, Op. 11: 2. Now the leaves are falling fast
On this Island, song cycle for voice & piano, Op. 11: 3. Seascape
On this Island, song cycle for voice & piano, Op. 11: 4. Nocturne
On This Island: As It Is, Plenty
On This Island: Let the Florid Music Praise
On This Island: Now the Leaves Are Falling Fast
Orkesterguide for ungdommen: Fuga
Orkesterguide for ungdommen: Tema
Orkesterguide for ungdommen: Variationer for messingblæsere
Orkesterguide for ungdommen: Variationer for slagtøj
Orkesterguide for ungdommen: Variationer for strygere og harpe
Orkesterguide for ungdommen: Variationer for træblæsere
Our Hunting Fathers, op. 8: I. Prologue
Our Hunting Fathers, op. 8: II. Rats Away!
Our Hunting Fathers, op. 8: III. Messalina
Our Hunting Fathers, op. 8: V. Epilogue & Funeral March
Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: A. Rats Away!
Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: B. Messalina
Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: C. Dance of Death
Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: Epilogue and Funeral March
Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: Prologue
Owen Wingrave, op. 85: Act 1. At last it's out
Owen Wingrave, op. 85: Act 1. Coyle, I wish I had not come
Owen Wingrave, op. 85: Act 1. May God bless the Queen
Owen Wingrave, op. 85: Act 1. Oh, how unforeseen
Owen Wingrave, op. 85: Act 1. Prelude
Owen Wingrave, op. 85: Act 1. Sirrah! How dare you!
Owen Wingrave, op. 85: Act 1. Your sherry, Mrs. Coyle
Owen Wingrave, op. 85: Act 1. You've got your maps there?
Owen Wingrave, op. 85: Act 2. Ah, Owen, what shall I do?
Owen Wingrave, op. 85: Act 2. And with his friend young Lechmere played
Owen Wingrave, op. 85: Act 2. Come in...It's me, Lechmere
Owen Wingrave, op. 85: Act 2. I envy you, this fine old house
Owen Wingrave, op. 85: Act 2. Is that you, Coyle?
Owen Wingrave, op. 85: Act 2. Now you may save your scornful looks
Owen Wingrave, op. 85: Act 2. Paramore shall welcome woe!
Paul Bunyan, operetta, Op. 17: 1. Introduction
Paul Bunyan, operetta, Op. 17: 2. Prologue. No. No. We do not want life to be slow
Paul Bunyan, operetta, Op. 17: 2. Prologue. Ooh! Ooh! O how terrible to be as old fashined as a tree
Paul Bunyan, operetta, Op. 17: 2. Prologue. Since the birth of the earth
Paul Bunyan, operetta, Op. 17: 2. Prologue. You are all to leave here
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 3. Bunyan's Greeting
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 3a. Call of Lumberjacks
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 4. Lumberjack's Chorus: My birthplace was in Sweden
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 4a. Bunyan's Welcome
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 5. Quartet of Swedes: Swedish born and Swedish bred
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 6. Western Union Boy's Song: A telegram from oversea
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 7. Cooks' Duet: Sam for soups. Ben for beans
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8b. Exit of Lumberjacks: Down the line... Timberr
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 11. Food Chorus: Do I look the sort of fellow
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 13. Bunyan's Return: Look, the Chief is back
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 14. Inkslinger's Song: It was out in the sticks
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 14a. Entrance of Chorus
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 15. Tiny's Entrance
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18. Bunyan's Good Morning
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18a. Shears' Song: It has always been my dream
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18b. Bunyan's Warning
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 19a. Farmers' Exit
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 22. Cat's Creed: Let Man the romantic in vision espy
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23a. Love Duet: Move, move from the trysting stone
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23c. Hymn: O great day of discovery!
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 26. Bunyan's Farewell
Paul Bunyan, operetta, Op. 17: Appendix. Inkslinger's Love Song
Paul Bunyan, operetta, Op. 17: Appendix. Lullaby of Dream Shadows
Paul Bunyan, operetta, Op. 17: Appendix. Overture
Peter Grimes, op. 33: Moonlight
Peter Grimes, op. 33: Passacaglia
Peter Grimes, op. 33: Sunday Morning
Peter Grimes, opera, Op. 33: Act 1. Scene 1. And do you prefer the storm
Peter Grimes, opera, Op. 33: Act 1. Scene 1. Hi! Give us a hand!
Peter Grimes, opera, Op. 33: Act 1. Scene 1. I have to go from pub to pub
Peter Grimes, opera, Op. 33: Act 1. Scene 1. Interlude 2: Storm
Peter Grimes, opera, Op. 33: Act 1. Scene 1. Let her among you without a fault cast the first stone
Peter Grimes, opera, Op. 33: Act 1. Scene 1. Oh hang at open doors the net
Peter Grimes, opera, Op. 33: Act 1. Scene 1. What harbour shelters peace
Peter Grimes, opera, Op. 33: Act 1. Scene 2. Come on, boy!
Peter Grimes, opera, Op. 33: Act 1. Scene 2. Have you heard the cliff is down
Peter Grimes, opera, Op. 33: Act 1. Scene 2. Now the Great Bear and the Pleiades
Peter Grimes, opera, Op. 33: Act 1. Scene 2. Old Joe has gone fishing
Peter Grimes, opera, Op. 33: Act 1. Scene 2. Past time to close!
Peter Grimes, opera, Op. 33: Act 2. Interlude 3: Sunday morning
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Child you're not too young to know
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Fool to let it come to this!
Peter Grimes, opera, Op. 33: Act 2. Scene 1. From the gutter
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Glitter of waves
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Glitter of waves and glitter of sunlight
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Interlude 3: Sunday Morning
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Interlude 4: Passacaglia
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Now is gossip put on trial
Peter Grimes, opera, Op. 33: Act 2. Scene 1. O all ye works of the Lord
Peter Grimes, opera, Op. 33: Act 2. Scene 1. People...! No! I will speak!
Peter Grimes, opera, Op. 33: Act 2. Scene 1. This unrelenting work
Peter Grimes, opera, Op. 33: Act 2. Scene 1. We planned that their lives should have a new start
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Whatever you say... Let her among you without fault
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Wherefore, I pray and beseech you
Peter Grimes, opera, Op. 33: Act 2. Scene 2. Go there!
Peter Grimes, opera, Op. 33: Act 2. Scene 2. In dreams I've built myself some kindlier home
Peter Grimes, opera, Op. 33: Act 2. Scene 2. Now!... Now!
Peter Grimes, opera, Op. 33: Act 2. Scene 2. Peter Grimes! Nobody here?
Peter Grimes, opera, Op. 33: Act 3. Interlude 5: Moonlight
Peter Grimes, opera, Op. 33: Act 3. Scene 1. Assign your prettiness to me
Peter Grimes, opera, Op. 33: Act 3. Scene 1. Come along, Doctor
Peter Grimes, opera, Op. 33: Act 3. Scene 1. Embroidery in childhood
Peter Grimes, opera, Op. 33: Act 3. Scene 1. Embroidery in childhood was a luxury of idleness
Peter Grimes, opera, Op. 33: Act 3. Scene 1. Interlude 6
Peter Grimes, opera, Op. 33: Act 3. Scene 1. Mr Keene!
Peter Grimes, opera, Op. 33: Act 3. Scene 1. Mr Swallow, Mr Swallow
Peter Grimes, opera, Op. 33: Act 3. Scene 1. Who holds himself apart lets his pride rise
Peter Grimes, opera, Op. 33: Act 3. Scene 2. Grimes!
Peter Grimes, opera, Op. 33: Act 3. Scene 2. Peter, we've come to take you home
Peter Grimes, opera, Op. 33: Act 3. Scene 2. To those who pass the Borough
Peter Grimes, opera, Op. 33: Interlude 6
Peter Grimes, opera, Op. 33: Prologue. Interlude 1: Dawn
Peter Grimes, opera, Op. 33: Prologue. Peter Grimes!
Peter Grimes, opera, Op. 33: Prologue. Peter Grimes, I here advise you!
Peter Grimes, opera, Op. 33: Prologue. You sailed your boat round the coast
Peter Grimes: Act 1, Interlude 1. Dawn
Peter Grimes: Act 1, Interlude 2. Storm
Peter Grimes: Act 1, Scene 1. And do you prefer the storm
Peter Grimes: Act 1, Scene 1. Good morning, good morning!
Peter Grimes: Act 1, Scene 1. Hi! Give us a hand
Peter Grimes: Act 1, Scene 1. I'll have to go from pub to pub
Peter Grimes: Act 1, Scene 1. Let her among without fault
Peter Grimes: Act 1, Scene 1. Oh, hang at open doors
Peter Grimes: Act 1, Scene 1. What harbour shelters peace
Peter Grimes: Act 1, Scene 2. For peace sake
Peter Grimes: Act 1, Scene 2. Have you heard the cliff is down
Peter Grimes: Act 1, Scene 2. Loud man
Peter Grimes: Act 1, Scene 2. No, I mean love
Peter Grimes: Act 1, Scene 2. Now the Great Bear and Pleiades
Peter Grimes: Act 1, Scene 2. Past time to close
Peter Grimes: Act 1, Scene 2. Pub conversation should depend
Peter Grimes: Act 2, Interlude 3. Sunday Morning
Peter Grimes: Act 2, Interlude 4. Passacaglia
Peter Grimes: Act 2, Scene 1. Child you're not too young
Peter Grimes: Act 2, Scene 1. Fool to let it come to this
Peter Grimes: Act 2, Scene 1. From the gutter
Peter Grimes: Act 2, Scene 1. Glitter of waves
Peter Grimes: Act 2, Scene 1. Now gossip is put on trial
Peter Grimes: Act 2, Scene 1. Now that the daylight fills the sky
Peter Grimes: Act 2, Scene 1. People... No! I will speak!
Peter Grimes: Act 2, Scene 1. Shall we go and see Grimes in his hut?
Peter Grimes: Act 2, Scene 1. This unrelenting work
Peter Grimes: Act 2, Scene 1. We planned that their lives
Peter Grimes: Act 2, Scene 2. Go there
Peter Grimes: Act 2, Scene 2. Now! Now!
Peter Grimes: Act 2, Scene 2. Peter Grimes
Peter Grimes: Act 3, Interlude 5. Moonlight
Peter Grimes: Act 3, Interlude 6
Peter Grimes: Act 3, Scene 1. Assign your prettiness to me
Peter Grimes: Act 3, Scene 1. Come along, Doctor
Peter Grimes: Act 3, Scene 1. Embroidery in childhood was
Peter Grimes: Act 3, Scene 1. Mr. Keene
Peter Grimes: Act 3, Scene 1. Mr. Swallow
Peter Grimes: Act 3, Scene 1. Murder most foul it is
Peter Grimes: Act 3, Scene 1. Who holds himself apart
Peter Grimes: Act 3, Scene 2. Grimes!
Peter Grimes: Act 3, Scene 2. Peter, we've come to take you home
Peter Grimes: Act 3, Scene 2. To those who pass the Borough
Peter Grimes: Act I, Scene 2: Now the Great Bear and Pleiades
Peter Grimes: Prologue. Peter Grimes
Peter Grimes: Prologue. Peter Grimes, I here advise you
Peter Grimes: Prologue. You sailed your boat round the coast
Phaedra, op. 63: I. Prologue - In May, in brilliant Athens
Phaedra, op. 63: II. My lost and dazzled eyes
Phaedra, op. 63: III. Venus resigned her altar to my new Lord
Phaedra, op. 63: IV. Phaedra in all her madness stands before you
Phaedra, op. 63: IX. Chills already dart along my boiling veins
Phaedra, op. 63: VI. Oh Gods of wrath
Phaedra, op. 63: VII. Death to the unhappy's no catastrophe
Phaedra, op. 63: VIII. My time's too short, your highness
Phaedra, Op. 93: In May, in brilliant Athens
Phaedra, Op. 93: My time's too short, your highness
Phaedra, Op. 93: Oh Gods of wrath
Piano Concerto in D major, Op. 13: 1. Toccata
Piano Concerto in D major, Op. 13: 2. Waltz
Piano Concerto in D major, Op. 13: 3. Impromptu
Piano Concerto in D major, Op. 13: 4. March
Piano Concerto, op. 13: I. Toccata
Piano Concerto, op. 13: II. Waltz
Piano Concerto, op. 13: III. Impromptu
Piano Concerto, op. 13: IV. March
Piano Concerto, Op.13: 3. Impromptu
Pieces (2), for 2 pianos, Op. 23: Introduction
Pieces (2), for 2 pianos, Op. 23: No. 2 Mazurka elegiaca
Pieces (2), for 2 pianos, Op. 23: Rondo alla burlesca
Praise We Great Men, for voices, chorus & orchestra: Praise we great men
Praise We Great Men, for voices, chorus & orchestra: Praise we the just
Psalm 150, Op. 67: Lively March - Lightly - Very Lively
Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Sound the Trumpet
Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: Fairest Isle
Quartettino, for string quartet: 1. Andante - Allegro molto e con fuoco
Quartettino, for string quartet: 2. Poco adagio ma con moto
Quartettino, for string quartet: 3. Allegro molto vivace
Quatre Chansons Françaises: I. Les Nuits de Juin
Quatre Chansons Françaises: II. Sagesse
Quatre Chansons Françaises: III. L'Enfance
Quatre Chansons Françaises: IV. Chanson d'Automne
Rehearsing War Requiem: Dies Irae: Rehearsal of end of movement
Rehearsing War Requiem: Dies Irae: Rehearsal of the opening section
Rehearsing War Requiem: Libera Me: Rehearsal of closing page
Rejoice in the Lamb, op. 30: For H is a spirit
Rejoice in the Lamb, op. 30: For I am under the same accusation
Rejoice in the Lamb, op. 30: For I will consider my cat Jeoffrey
Rejoice in the Lamb, op. 30: For the flowers are great blessings
Rejoice in the Lamb, op. 30: For the mouse is a creature of great personal valour
Rejoice in the Lamb, op. 30: Rejoice in God, O ye Tongues
Rejoice in the Lamb—Festival Cantata Op. 30: For H is a spirit (bass & chorus) —
Rejoice in the Lamb—Festival Cantata Op. 30: For I am under the same accusation (chorus) —
Rondo Concertante (1930): I. Allegro Molto
Rondo Concertante (1930): II. Lento
Rossini Suite, for boys' voices & chamber ensemble: 1. Allegro brillante
Rossini Suite, for boys' voices & chamber ensemble: 2. Allegretto
Rossini Suite, for boys' voices & chamber ensemble: 3. Allegretto
Rossini Suite, for boys' voices & chamber ensemble: 5. Allegro con brio
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 1. St Godric's Hymn
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 2. I mon waxe sod
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 3. Lenten is come
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 5. Yif ic of luve can
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 6. Carol
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 7. Ye that pasen by
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 8. A death
Sacred and Profane: Eight Medieval Lyrics, op. 91: I. St. Godric's Hymn
Sacred and Profane: Eight Medieval Lyrics, op. 91: II. I Mon Waxe Wod
Sacred and Profane: Eight Medieval Lyrics, op. 91: III. Lenten is come
Sacred and Profane: Eight Medieval Lyrics, op. 91: V. Yif Ic of Luve Can
Sacred and Profane: Eight Medieval Lyrics, op. 91: VI. Carol
Sacred and Profane: Eight Medieval Lyrics, op. 91: VII. Ye that Pasen By
Sacred and Profane: Eight Medieval Lyrics, op. 91: VIII. A Death
Sacred and Profane: I mon waxe wod
Sacred and Profane: Lenten is come
Sacred and Profane: St. Godric's Hymn
Sacred and Profane: Ye that pasen by
Sacred and Profane: Yif ic of luve can
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 1. Introduction
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 4. He journeys to Palestine
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 6. Nicolas from Prison
Saint Nicolas, op. 42: He comes to Myra and is chosen Bishop
Saint Nicolas, op. 42: He journeys to Palestine
Saint Nicolas, op. 42: His piety and marvellous works
Saint Nicolas, op. 42: Introduction
Saint Nicolas, op. 42: Nicolas and the Pickled Boys
Saint Nicolas, op. 42: Nicolas devotes himself to God
Saint Nicolas, op. 42: Nicolas from prison
Saint Nicolas: V. Nicolas comes to Myra and is chosen Bishop
Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Dawn
Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Moonlight
Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Storm
Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Sunday Morning
Serenade for tenor, horn & strings, op. 31: Dirge: This Ae Night
Serenade for tenor, horn & strings, op. 31: Elegy: O Rose, Thou Art Sick
Serenade for tenor, horn & strings, op. 31: Hymn: Queen and Huntress Chaste and Fair
Serenade for tenor, horn & strings, op. 31: Sonnet: O Soft Embalmer of the Still Midnight
Serenade for Tenor, Horn and Strings: II. Pastoral
Serenade, for tenor, horn & strings, Op. 31: 1. Pastoral
Serenade, for tenor, horn & strings, Op. 31: 2. Nocturne
Serenade, for tenor, horn & strings, Op. 31: 3. Elegy
Serenade, for tenor, horn & strings, Op. 31: 4. Dirge
Serenade, for tenor, horn & strings, Op. 31: 5. Hymn
Serenade, for tenor, horn & strings, Op. 31: 6. Sonnet
Simple Symphony Op. 4: I. Boisterous Bouree, Allegro ritmico
Simple Symphony Op. 4: II. Playful Pizzicato, Presto possibile pizzicato sempre
Simple Symphony Op. 4: III. Sentimental Sarabande, Poco lento e pesante
Simple Symphony Op. 4: IV. Frolicsome Finale, Prestissimo con fuoco
Simple Symphony, for string orchestra, Op. 4: 1. Boisterous Bourrée
Simple Symphony, for string orchestra, Op. 4: 2. Playful Pizzicato
Simple Symphony, for string orchestra, Op. 4: 3. Sentimental Sarabande
Simple Symphony, for string orchestra, Op. 4: 4. Frolicsome Finale
Simple Symphony, op. 4: Boisterous Bouree
Simple Symphony, op. 4: Frolicsome Finale
Simple Symphony, Op. 4: I. Boisterous Bourrée
Simple Symphony, Op. 4: II. Playful Pizzacato
Simple Symphony, Op. 4: II. Playful Pizzicato
Simple Symphony, Op. 4: III. Sentimental Saraband
Simple Symphony, Op. 4: III. Sentimental Sarabande
Simple Symphony, Op. 4: IV. Frolicsome Finale
Simple Symphony, op. 4: Playful Pizzicato
Simple Symphony, op. 4: Sentimental Saraband
Simple Symphony, Op.4: 'Playful Pizzicato' from Simple Symphony, Op. 4
Simple Symphony: Boisterous bourrée
Simple Symphony: Froliscome finale
Simple Symphony: Playful pizzicato
Simple Symphony: Sentimental saraband
Sinfonia da Requiem, for orchestra, Op. 20: 1. Lacrymosa
Sinfonia da Requiem, for orchestra, Op. 20: 2. Dies irae
Sinfonia da Requiem, for orchestra, Op. 20: 3. Requiem aeternam
Sinfonia da Requiem, op. 20: Dies irae
Sinfonia da Requiem, Op. 20: I. Lacrymosa
Sinfonia da Requiem, op. 20: Lacrymosa
Sinfonia da Requiem, op. 20: Requiem aeternam
Sinfonietta, for chamber orchestra, Op. 1: 1. Poco presto ed agitato
Sinfonietta, for chamber orchestra, Op. 1: 2. Andante lento
Sinfonietta, for chamber orchestra, Op. 1: 3. Tarantella: Presto vivace
Sinfonietta, Op. 1: I. Poco presto ed agitato
Sinfonietta, Op. 1: II. Variations, andante lento
Sinfonietta, Op. 1: III. Tarantella
Sinfonietta, op. 1: III. Tarantella, Presto vivace
Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Bolero
Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Canzonetta
Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: March
Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Tarantella
Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Tirolese
Soirées musicales, op. 9: I. March
Soirées musicales, op. 9: II. Canzonetta
Soirées musicales, op. 9: III. Tirolese
Soirées musicales, op. 9: IV. Bolero
Soirées musicales, op. 9: V. Tarantella
Sonata for cello & piano in C major, Op. 65: 1. Dialogo: Allegro
Sonata for cello & piano in C major, Op. 65: 2. Scherzo - Pizzicato: Allegretto
Sonata for cello & piano in C major, Op. 65: 3. Elegia: Lento
Sonata for cello & piano in C major, Op. 65: 4. Marcia: Energico
Sonata for cello & piano in C major, Op. 65: 5. Moto perpetuo: Presto
Sonata in C for Cello & Piano, op.65: I. Dialogo: Allegro
Sonata in C for Cello & Piano, op.65: III. Elegia: Lento
Sonata in C for Cello & Piano, op.65: IV. Marcia: Energico
Sonata in C for Cello & Piano, op.65: V. Moto Perpetuo: Presto
Sonatina Romantica, for piano: Moderato
Sonatina Romantica, for piano: Nocturne
Song: Take O Take Those Lips Away
Songs & Proverbs of William Blake, op. 74: To see a world...Every night and every morn
Songs (2) by Thomas Hardy, for voice & piano: If it's ever spring again
Songs (2) by W. H. Auden, for voice & piano: Night covers up the rigid land
Songs (2) by W. H. Auden, for voice & piano: To lie flat on the back
Songs From 'Friday Afternoons', op.7: A New Year Carol
Songs From 'Friday Afternoons', op.7: A Tragic Story
Songs From 'Friday Afternoons', op.7: Begone, Dull Care!
Songs From 'Friday Afternoons', op.7: Cuckoo!
Songs From 'Friday Afternoons', op.7: Fishing Song
Songs From 'Friday Afternoons', op.7: I Mun Be Married on Sunday
Songs From 'Friday Afternoons', op.7: Jazz-Man
Songs From 'Friday Afternoons', op.7: Old Abram Brown
Songs from 'Friday Afternoons', Op.7: Songs From Friday Afternoons, Op. 7: 'Cuckoo!'
Spring Symphony, op. 44: 1I. Sound the flute!
Spring Symphony, op. 44: 1II. Finale: London, to thee I do present
Spring Symphony, Op. 44: Fair and Fair. Allegretto Grazioso
Spring Symphony, Op. 44: Finale. Moderato Alla Valse - Allegro Pesante
Spring Symphony, op. 44: I. Introduction: Shine out
Spring Symphony, op. 44: III. Spring, the sweet Spring
Spring Symphony, Op. 44: Introduction. Lento, Senza Rigore
Spring Symphony, op. 44: IX. When will my May come
Spring Symphony, Op. 44: Out on the Lawn I Lie in Bed. Adagio Molto Tranquillo
Spring Symphony, Op. 44: Sound the Flute. Allegretto Molto Mosso
Spring Symphony, Op. 44: Spring, the Sweet Spring. Allegro Con Slancio
Spring Symphony, op. 44: VI. Welcome Maids of Honour
Spring Symphony, op. 44: VII. Waters above!
Spring Symphony, op. 44: VIII. Out on the lawn I lie in bed
Spring Symphony, Op. 44: Waters Above. Molto Moderato E Tranquillo
Spring Symphony, Op. 44: Welcome Maids of Honour. Allegro Rubato
Spring Symphony, Op. 44: When Will My May Come. Allegro Impetuoso
Spring Symphony, op. 44: X. Fair and fair
St Nicolas, op. 42: VIII. His piety and marvellous works
String Quartet in D major: 1. Allegro maestoso
String Quartet in D major: 2. Lento ed espressivo
String Quartet in D major: 3. Allegro giocoso
String Quartet No. 1 in D major, Op. 25: 1. Andante sostenuto - Allegro vivo
String Quartet No. 1 in D major, Op. 25: 2. Allegretto con slancio
String Quartet No. 1 in D major, Op. 25: 3. Andante calmo
String Quartet No. 1 in D major, Op. 25: 4. Molto vivace
String Quartet No. 2 in C major, Op. 36: 1. Allegro calmo senza rigore
String Quartet No. 2 in C major, Op. 36: 2. Vivace
Suite for solo cello No. 1, Op. 72: 2. Fuga: Andante moderato
Suite for solo cello No. 1, Op. 72: 2. Lamento: Lento rubato
Suite for solo cello No. 1, Op. 72: 4. Marcia: Alla marcia moderato
Suite for solo cello No. 1, Op. 72: 5. Bordone: Moderato quasi recitative
Suite for solo cello No. 1, Op. 72: 6. Moto perpetuo e Canto quarto: Presto
Suite for solo cello No. 1, Op. 72: Canto primo: Sostenuto e largamente
Suite for solo cello No. 1, Op. 72: Canto secondo: Sostenuto
Suite for solo cello No. 1, Op. 72: Canto terzo: Sostenuto
Suite for solo cello No. 2, Op. 80: 1. Declamato: Largo
Suite for solo cello No. 2, Op. 80: 2. Fuga: Andante
Suite for solo cello No. 2, Op. 80: 3. Scherzo: Allegro molto
Suite for solo cello No. 2, Op. 80: 4. Andante lento
Suite for solo cello No. 2, Op. 80: 5. Ciaccona: Allegro
Suite for solo cello No. 3, Op. 87: 1. Introduzione: Lento
Suite for solo cello No. 3, Op. 87: 2. Marcia: Allegro
Suite for solo cello No. 3, Op. 87: 3. Canto: Con moto
Suite for solo cello No. 3, Op. 87: 4. Barcarola: Lento
Suite for solo cello No. 3, Op. 87: 5. Dialogo: Allegretto
Suite for solo cello No. 3, Op. 87: 6. Fuga: Andante espressivo
Suite for solo cello No. 3, Op. 87: 7. Recitativo: Fantastico
Suite for solo cello No. 3, Op. 87: 8. Moto perpetuo: Presto
Suite for solo cello No. 3, Op. 87: 9. Passacaglia: Lento solenne
Suite on English folk tunes (A time there was), for orchestra, Op. 90: 1. Cakes and Ale
Suite on English folk tunes (A time there was), for orchestra, Op. 90: 3. Hankin Booby
Suite on English folk tunes (A time there was), for orchestra, Op. 90: 4. Hunt the Squirrel
Suite on English folk tunes (A time there was), for orchestra, Op. 90: 5. Lord Melbourne
Suite, for violin & piano, Op. 6: 1. March: Allegro alla marcia
Suite, for violin & piano, Op. 6: 2. Moto perpetuo: Allegro molto e con fuoco
Suite, for violin & piano, Op. 6: 3. Lullaby: Lento tranquillo
Suite, for violin & piano, Op. 6: 4. Waltz: Alla valse: vivace e rubato
Suite, for violin & piano, Op. 6: Introduction: Andante maestoso
Suite, op. 6 for Violin & Piano: I. March: Allegro alla Marcia
Suite, op. 6 for Violin & Piano: II. Moto Perpetuo: Allegro Molto e Con Fuoco
Suite, op. 6 for Violin & Piano: III. Lullaby: Lento Tranquillo
Suite, op. 6 for Violin & Piano: Introduction: Andante Maestoso
Suite, op. 6 for Violin & Piano: IV. Waltz: Alla Valse: Vivace e Rubato
Sweeter than roses: Ed. Britten
Symphony For Cello And Orchestra, op. 68: Adagio
Symphony For Cello And Orchestra, op. 68: Allegro maestoso
Symphony For Cello And Orchestra, op. 68: Passacaglia
Symphony For Cello And Orchestra, op. 68: Presto inquieto
Tit for Tat, song cycle for voice & piano: 1. A Song of Enchantment
Tit for Tat, song cycle for voice & piano: 3. Silver
Tit for Tat, song cycle for voice & piano: 5. Tit for Tat
Tit For Tat: I. A song of enchantment
Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 8. At Night
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 1
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 2
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 3
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 4
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 5
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 6
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 7
Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 1. Colliquy and Soliloquy
Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 3. Miss Jessel
Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 5. Quint
Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 7. Flora
Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 8. Miles
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 10
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 11
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 12
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 13
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 14
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 15
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 8
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 9
Turn of the Screw, chamber opera, Op. 54: Prologue
Two Ballads For Two Voices & Piano: I. Mother Comfort
Two Ballads For Two Voices & Piano: II. Underneath the Abject Willow
Two Lullabies, for 2 pianos: Lullaby
Two Lullabies, for 2 pianos: Lullaby for a retired Colonel
Two Portraits For String Orchestra: I. D. Layton: Poco Presto
Two Portraits For String Orchestra: II. E.B.B.: Poco Lento
V. Bordone: Moderato quasi recitativo
Variations on a theme of Frank Bridge, op. 10: 1I. Fugue & Finale
Variations on a theme of Frank Bridge, op. 10: VII. Wiener Waltzer
VI. Moto perpetuo - Canto quarto: Presto
Violin Concerto in D minor, Op. 15: 1. Moderato con moto
Violin Concerto in D minor, Op. 15: 2. Vivace
Violin Concerto in D minor, op. 15: I. Moderato con moto - Agitato
Violin Concerto in D Minor, Op. 15: I. Moderato con moto - Agitato - Tempo primo
Violin Concerto in D Minor, Op. 15: II. Vivace - Animando - Largamento
Violin Concerto in D minor, op. 15: II. Vivace - Cadenza
Violin Concerto, op. 15: I. Moderato con moto
Violin Concerto, op. 15: II. Vivace
Waltzes (5), for piano: 1. Rather fast and nervous
Waltzes (5), for piano: 2. Quick, with wit
Waltzes (5), for piano: 3. Dramatic
Waltzes (5), for piano: 5. Variations: Quiet and simple
War Requiem, op. 66, Agnus Dei: One ever hangs where shelled roads part
War Requiem, op. 66, Dies Irae: Be slowly lifted up
War Requiem, op. 66, Dies Irae: Bugles sang, saddening the evening air
War Requiem, op. 66, Dies Irae: Dies irae
War Requiem, op. 66, Dies Irae: Lacrimosa dies illa
War Requiem, op. 66, Dies Irae: Liber scriptus proferetur
War Requiem, op. 66, Dies Irae: Out there, we've walked quite friendly up to Death
War Requiem, op. 66, Dies Irae: Recordare Jesu pie
War Requiem, op. 66, Libera me: It seemed that out of battle I escaped
War Requiem, op. 66, Libera me: Let us sleep now...In paradisum
War Requiem, op. 66, Libera me: Libera me, Domine
War Requiem, op. 66, Offertorium: Domine Jesu Christe
War Requiem, op. 66, Offertorium: Move him into the sun
War Requiem, op. 66, Offertorium: So Abraham rose, and clave the wood
War Requiem, op. 66, Requiem aeternam: Requiem aeternam
War Requiem, op. 66, Requiem aeternam: What passing bells for these who die as cattle?
War Requiem, op. 66, Sanctus: After the blast of lightning from the East
War Requiem, op. 66, Sanctus: Sanctus, sanctus, sanctus
War Requiem, op. 66: Agnus Dei
War Requiem, op. 66: Dies Irae
War Requiem, op. 66: Libera me
War Requiem, op. 66: Offertorium
War Requiem, op. 66: Requiem aeternam
War Requiem: Sanctus and Benedictus
Welcome Ode, Op. 95: 2 Jig. Quick
Welcome Ode, Op. 95: 3 Roundel. Slower
Welcome Ode, Op. 95: 4 Modulation
Welcome Ode, Op. 95: 5 Canon. Moving On
Winter Words, song cycle for tenor & piano, Op. 52: 1. At day-close in November
Winter Words, song cycle for tenor & piano, Op. 52: 8. Before Life and After
Young Person's Guide to the Orchestra, op. 34: Bassoons
Young Person's Guide to the Orchestra, op. 34: Cellos
Young Person's Guide to the Orchestra, op. 34: Clarinets
Young Person's Guide to the Orchestra, op. 34: Double Basses
Young Person's Guide to the Orchestra, op. 34: Flutes & Piccolo
Young Person's Guide to the Orchestra, op. 34: Fugue
Young Person's Guide to the Orchestra, op. 34: Full Orchestra
Young Person's Guide to the Orchestra, op. 34: Harp
Young Person's Guide to the Orchestra, op. 34: Horns
Young Person's Guide to the Orchestra, op. 34: Oboes
Young Person's Guide to the Orchestra, op. 34: Percussion
Young Person's Guide to the Orchestra, op. 34: Trombones & Bass Tuba
Young Person's Guide to the Orchestra, op. 34: Trumpets
Young Person's Guide to the Orchestra, op. 34: Violas
Young Person's Guide to the Orchestra, op. 34: Violins
A Ceremony of Carols : There is no Rose
A Ceremony of Carols, op.28: There Is No Rose
A Midsummer Night's Dream, opera, Op. 64: Act 3. Theseus' palace. Now, fair Hippolyta
Billy Bud, Act Three: Scene I: There you are again, Master-at-Arms
Britten: Rejoice in the Lamb, Op. 30: VI. For H Is a Spirit and Therefore He Is God
Britten: Rejoice in the Lamb, Op. 30: VII. For the Instruments Are by Their Rhimes
Ceremony of Carols, op. 28: There Is No Rose
Owen Wingrave, op. 85: Act 2. There was a boy, a Wingrave born
Peter Grimes, opera, Op. 33: Act 1. Scene 1. They listen to money
Peter Grimes, opera, Op. 33: Act 3. Scene 2. Grimes!... Steady. There you are
Peter Grimes: Act 1, Scene 1. They listen to money
Peter Grimes: Act 1, Scene 2. There's been a landslide up the coast
Peter Grimes: Act 2, Scene 2. They listen to money
Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Variation 4
Songs From 'Friday Afternoons', op.7: There Was a Man of Newington
Songs From 'Friday Afternoons', op.7: There Was a Monkey
There's None To Soothe: Arr. Britten
Turn of the Screw, chamber opera, Op. 54: Act 1. Theme
Variationen über ein Thema von Frank Bridge: Aria italiana
Variationen über ein Thema von Frank Bridge: Moto perpetuo
Variations on a Theme by Frank Bridge, for strings, Op. 10: Introduction and Theme
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 1: Adagio
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 10: Fugue and Finale
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 2: March
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 3: Romance
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 4: Aria italiana
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 5: Bourrée classique
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 6: Wiener Walzer
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 7: Moto perpetuo
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 8: Funeral March
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 9: Chant
Variations on a theme of Frank Bridge, op. 10: I. Introduction & Theme
Variations on a Theme of Frank Bridge, Op. 10: I. Introduction and Theme
Variations on a Theme of Frank Bridge, Op. 10: II. Adagio
Variations on a Theme of Frank Bridge, Op. 10: III. March
Variations on a Theme of Frank Bridge, Op. 10: IV. Romance
Variations on a Theme of Frank Bridge, Op. 10: IX. Funeral March
Variations on a Theme of Frank Bridge, Op. 10: V. Aria Italiana
Variations on a Theme of Frank Bridge, Op. 10: VI. Bourrée Classique
Variations on a Theme of Frank Bridge, Op. 10: VII. Wiener Walzer
Variations on a Theme of Frank Bridge, Op. 10: VIII. Moto Perpetuo
Variations on a Theme of Frank Bridge, Op. 10: X. Chant
Variations on a Theme of Frank Bridge, Op. 10: XI. Fugue & Finale
Who Are These Children?, op. 84: II. A Laddie's Sang
Who Are These Children?, op. 84: III. Nightmare
Who Are These Children?, op. 84: IV. Black Day
Who Are These Children?, op. 84: IX. Who are these children?
Who Are These Children?, op. 84: V. Bed-time
Who Are These Children?, op. 84: VI. Slaughter
Who Are These Children?, op. 84: X. Supper
A Midsummer Night's Dream, op. 64, Act 1: "Be it on lion, bear, or wolf, or bull"
A Midsummer Night's Dream, op. 64, Act 1: "Come, now a roundel and a fairy song"
A Midsummer Night's Dream, op. 64, Act 1: "Fair love, you faint with wand'ring in the wood"
A Midsummer Night's Dream, op. 64, Act 1: "How now my love?"
A Midsummer Night's Dream, op. 64, Act 1: "Is all our company her?"
A Midsummer Night's Dream, op. 64, Act 1: "Oberon is passing fell and wrath"
A Midsummer Night's Dream, op. 64, Act 1: "Over hill, over dale"
A Midsummer Night's Dream, op. 64, Act 1: "Stay, though thou kill me, sweet Demetrius"
A Midsummer Night's Dream, op. 64, Act 1: "Through the forest have I gone"
A Midsummer Night's Dream, op. 64, Act 1: "Welcome wanderer!"
A Midsummer Night's Dream, op. 64, Act 1: "Well, go thy way"
A Midsummer Night's Dream, op. 64, Act 1: "What thou seest when thou dost wake"
A Midsummer Night's Dream, op. 64, Act 1: "You spotted snakes with double tongue"
A Midsummer Night's Dream, op. 64, Act 2: "Are we all met?"
A Midsummer Night's Dream, op. 64, Act 2: "Be kind and courteous to this gentleman"
A Midsummer Night's Dream, op. 64, Act 2: "Flower of this purple dye"
A Midsummer Night's Dream, op. 64, Act 2: "Hail, mortal, hail!"
A Midsummer Night's Dream, op. 64, Act 2: "How now, mad spirit?"
A Midsummer Night's Dream, op. 64, Act 2: "I have a reas'nable good ear in music"
A Midsummer Night's Dream, op. 64, Act 2: "I see their knavery"
A Midsummer Night's Dream, op. 64, Act 2: "On the ground, sleep sound"
A Midsummer Night's Dream, op. 64, Act 2: "Puppet? Why so?"
A Midsummer Night's Dream, op. 64, Act 2: "This is thy negligence"
A Midsummer Night's Dream, op. 64, Act 2: "Up and down, up and down"
A Midsummer Night's Dream, op. 64, Act 3: "Asleep, my love?"
A Midsummer Night's Dream, op. 64, Act 3: "Come, your Bergomask"
A Midsummer Night's Dream, op. 64, Act 3: "Gentles, perchance you wonder at this show"
A Midsummer Night's Dream, op. 64, Act 3: "Have you sent to Bottom's house?"
A Midsummer Night's Dream, op. 64, Act 3: "Helena! Hermi! Demetrius! Lysander!"
A Midsummer Night's Dream, op. 64, Act 3: "If we offend, it is with our good will"
A Midsummer Night's Dream, op. 64, Act 3: "In this same interlude it doth befall"
A Midsummer Night's Dream, op. 64, Act 3: "My gentle Robin, see'st thou this sweet sight?"
A Midsummer Night's Dream, op. 64, Act 3: "Now the hungry lion roars"
A Midsummer Night's Dream, op. 64, Act 3: "Now, fair Hippolyta"
A Midsummer Night's Dream, op. 64, Act 3: "O grim-look'd night, O night with hue so black"
A Midsummer Night's Dream, op. 64, Act 3: "O wall, full often hast thou heard my moans"
A Midsummer Night's Dream, op. 64, Act 3: "Sweet moon, I thank thee for thy sunny beams"
A Midsummer Night's Dream, op. 64, Act 3: "This lanthorn doth the horned moon present"
A Midsummer Night's Dream, op. 64, Act 3: "When my cue comes, call me"
A Midsummer Night's Dream, op. 64, Act 3: "You ladies, you whose gentle hearts do fear"
Billy Bud, Act Four: Scene II: "According to the Articles of War…"
Billy Budd: Act I Scene 1: "Billy Budd, king of the birds!"
Billy Budd: Act I Scene 1: "Christ, the poor chap, the poor little runt!"
Billy Budd: Act I Scene 1: "Come along, kid!"
Billy Budd: Act I Scene 1: "I heard, your honour!"
Billy Budd: Act I Scene 1: "Pull, my bantams"
Billy Budd: Act I Scene 1: "Send for John Claggart!"
Billy Budd: Act I Scene 1: "Vere! Vere! - Officers and men..."
Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!"
Billy Budd: Act I, Scene I. "Boat Ahoy!"
Billy Budd: Act I, Scene I. "Come along, kid!"
Billy Budd: Act I, Scene I. "First man forward!"
Billy Budd: Act I, Scene I. "I hear, your honour!"
Billy Budd: Act I, Scene I. "Pull, me bantams!"
Billy Budd: Act I, Scene I. "Starry Vere we call him"
Billy Budd: Act I, Scene I. "What's that? What's those whistles?"
Billy Budd: Act I, Scene I. "Your name?"
Billy Budd: Act I, Scene II. "Ay, at Spithead..."
Billy Budd: Act I, Scene II. "Boy!"
Billy Budd: Act I, Scene II. "Gentlemen, the King!"
Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one."
Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!"
Billy Budd: Act I, Scene III. "Blow her away."
Billy Budd: Act I, Scene III. "Come here"
Billy Budd: Act I, Scene III. "Dansker, old friend..."
Billy Budd: Act I, Scene III. "Hi! You ... a... a...!"
Billy Budd: Act I, Scene III. "Over the water..."
Billy Budd: Act I, Scene III. "We're off to Samoa..."
Billy Budd: Act II Scene 1: "Don't like the French!"
Billy Budd: Act II Scene 1: "My compliments..."
Billy Budd: Act II Scene 1: "Oh, that's nothing"
Billy Budd: Act II Scene 2: "Billy! Hist, Billy Budd!"
Billy Budd: Act II Scene 2: "Blow her away..."
Billy Budd: Act II Scene 2: "Come here! Remember your promise"
Billy Budd: Act II Scene 2: "Come out of that!"
Billy Budd: Act II Scene 2: "Dansker, old friend"
Billy Budd: Act II Scene 2: "Here lads!"
Billy Budd: Act II Scene 2: "O beauty, o handsomeness"
Billy Budd: Act II, Scene I. "Deck ahoy!"
Billy Budd: Act II, Scene I. "I don't like the look of the mist..."
Billy Budd: Act II, Scene I. "Oh, this cursèd mist!"
Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms."
Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!"
Billy Budd: Act II, Scene I. "With great regret I must disturb your honour."
Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!"
Billy Budd: Act II, Scene II. "Gentlemen, William Budd here..."
Billy Budd: Act II, Scene II. "God o' mercy!"
Billy Budd: Act II, Scene II. "I accept their verdict."
Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman..."
Billy Budd: Act II, Scene II. "Poor fellow, who could save him?"
Billy Budd: Act II, Scene II. "William Budd, you are accused..."
Billy Budd: Act II, Scene III. "And farewell to ye..."
Billy Budd: Act II, Scene III. "Here! Baby!"
Billy Budd: Act II, Scene III. "Look!"
Billy Budd: Act II, Scene IV. "According to the Articles of War..."
Billy Budd: Act II, Scene IV. "Down all hands!"
Billy Budd: Act II, Scene IV. "Interlude"
Billy Budd: Act III, Scene 1: "All guns ready, Sir!"
Billy Budd: Act III, Scene 1: "Deck ahoy!"
Billy Budd: Act III, Scene 1: "I don't like the look of the mist"
Billy Budd: Act III, Scene 1: "Nay, nay, you're mistaken"
Billy Budd: Act III, Scene 1: "There are you again, Master-at-Arms"
Billy Budd: Act III, Scene 2: "Claggart, John Claggart, beware!"
Billy Budd: Act III, Scene 2: "God o'mercy!"
Billy Budd: Act III, Scene 2: "I accept their verdict"
Billy Budd: Act III, Scene 2: "Poor fellow, who could save him?"
Billy Budd: Act III, Scene 2: "William Budd, you are accused"
Billy Budd: Act III, Scene 2: "You wanted to see me"
Billy Budd: Act IV, Scene 1: "According to the Articles of War"
Billy Budd: Act IV, Scene 1: "And farewell to ye"
Billy Budd: Act IV, Scene 1: "Look!... Through the port comes the moonshine astray!"
Billy Budd: Act IV, Scene 1: "Starry Vere"
Billy Budd: Act IV, Scene 1: "We committed his body to the deep"
Billy Budd: Epilogue. "We committed his body to the deep"
Billy Budd: Prologue "I am an old man..."
Coal Face: 1. Andante: "A Sterile Landscape"
Coal Face: 10. "Making Up Coal Trains"
Coal Face: 11. Allegro: "Coal Mining Is the Basic Industry"
Coal Face: 12. Andante: "There Are the Miners"
Coal Face: 1I. Allegro: "Coal Mining Is the Basic Industry"
Coal Face: 1II. Andante: "There Are the Miners"
Coal Face: 2. "Coal Mining Is the Basic Industry of Britain"
Coal Face: 4. "Yorkshire and Lancashire"
Coal Face: 7. Ad Libitum Sempre: "One Thirty A.M."
Coal Face: 8. Allegro ma non troppo: "In Many Pits"
Coal Face: I. Andante: "A Sterile Landscape"
Coal Face: II. "Coal Mining Is the Basic Industry Of Britain"
Coal Face: IV. "Yorkshire and Lancashire"
Coal Face: VII. Ad Libitum Sempre: "One Thirty A.M."
Coal Face: VIII. Allegro ma non troppo: "In Many Pits"
Coal Face: X. "Making Up Coal Trains"
Curlew River, op. 71: "A thousand leagues may sunder"
Curlew River, op. 71: "But first may I ask you"
Curlew River, op. 71: "Clear as a sky without a cloud"
Curlew River, op. 71: "Curlew River, smoothly flowing"
Curlew River, op. 71: "Ferryman, tell me, when did it happen"
Curlew River, op. 71: "Go your way in peace, mother"
Curlew River, op. 71: "Good souls, we have shown you here"
Curlew River, op. 71: "He whose life was full of promise"
Curlew River, op. 71: "Hoping, I wander'd on"
Curlew River, op. 71: "I am the ferryman"
Curlew River, op. 71: "I beg your pardon, living in this famous place"
Curlew River, op. 71: "I come from the Westland"
Curlew River, op. 71: "Ignorant man!"
Curlew River, op. 71: "Look! While you were listening to my story"
Curlew River, op. 71: "Near the Black Mountains there I dwelt"
Curlew River, op. 71: "Te lúcis ante términum"
Curlew River, op. 71: "Today is an important day"
Death in Venice: Act I, Scene 1 (Munich). "I have always kept a close watch on my development"
Death in Venice: Act I, Scene 1 (Munich). "My mind beats on"
Death in Venice: Act I, Scene 1 (Munich). "Who's that?"
Death in Venice: Act I, Scene 2 (On the Boat to Venice). "Hey there, hey there, you!"
Death in Venice: Act I, Scene 2 (On the Boat to Venice). Overture "Venice"
Death in Venice: Act I, Scene 5 (On the Beach). "Adziù! Adziù!"
Death in Venice: Act I, Scene 5 (On the Beach). "Ah, how peaceful to contemplate the sea"
Death in Venice: Act I, Scene 5 (On the Beach). "As one who strives to create beauty"
Death in Venice: Act I, Scene 5 (On the Beach). "Le bele fragole"
Folksong Arrangements, Vol. I "British Isles", for voice & piano: O can ye sew cushions?
Folksong Arrangements, Vol. II "France", for voice & piano Voici le printemps
Folksong Arrangements, Vol. II "France", for voice & piano: Eho! Eho!
Folksong Arrangements, Vol. III "British Isles", for voice & piano Sweet Polly Oliver
Folksong Arrangements, Vol. III "British Isles", for voice & piano: Come you not from Newcastle?
Folksong Arrangements, Vol. III "British Isles", for voice & piano: O Waly, Waly
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano How sweet the answer
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: Dear Harp of my Country!
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: Oft in the stilly night
Folksong Arrangements, Vol. V "British Isles", for voice & piano Early one morning
Folksong Arrangements, Vol. V "British Isles", for voice & piano: Ca' the Yowes
Four Sea Interludes from "Peter Grimes", Op.33a - 1. Dawn
Four Sea Interludes from "Peter Grimes", Op.33a - 2. Sunday Morning
Four Sea Interludes from "Peter Grimes", Op.33a - 3. Moonlight
Four Sea Interludes from "Peter Grimes", Op.33a - 4. Storm
Frühlingsnacht ("Uberm Garten durch die Lüfte"), song for voice & piano (Liederkreis), Op. 39/12
Men Behind the Meters: Andantino: "I Dreamt That I Dwelt in Marble Halls"
Negroes - Music from GPO Film: 2. Allegro - "Then the Portuguese and Spaniards"
Negroes - Music from GPO Film: 3. Allegro ritmico - "At the Mouth of the Senegal"
Negroes - Music from GPO Film: 4. Andante con moto - "To Sail From Africa to Jamaica"
Negroes - Music from GPO Film: 6. Andante con molto moto - "Still at Their Accustomed Hour"
Negroes - Music from GPO Film: 7. Allegro ritmico - "Coffee From the Blue Mountains"
Nocturne, op. 60: I. "On A Poet's Lips I Slept"
Nocturne, op. 60: III. "Encintured With A Twine Of Leaves"
Nocturne, op. 60: IV. "Midnight's Bell Goes Ting, Ting, Ting"
Nocturne, op. 60: V. "But That Night When On My Bed I Lay"
Nocturne, op. 60: VI. "She Sleeps On Soft, Last Breaths"
Nocturne, op. 60: VII. "What Is More Gentle Than A Wind in Summer?"
Nocturne, op. 60: VIII. "When Most I Wink, Then Do Mine Eyes Best See"
Noye's Fludde, Op.59: "Lord Jesus, Think on Me"
Passacaglia, from "Peter Grimes", Op.33b
Praise We Great Men: "Praise We Great Men"
Suite On English Folk Tunes: "A Time There Was...", op. 90: I. Cakes And Ale
Suite On English Folk Tunes: "A Time There Was...", op. 90: III. Hankin Booby
Suite On English Folk Tunes: "A Time There Was...", op. 90: V. Lord Melbourne
Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Corante
Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Galliard
Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": La Volta
Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": March
Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Morris Dance
Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Pavan
Tema "Sacher" for Cello Solo: Lento maestoso · Largamente
Two Portraits for String Orchestra: I. "David Layton" for String Orchestra, Poco presto
Two Portraits for String Orchestra: II. "E.B.B." for Solo Viola and String Orchestra, Poco lento
2 Insect Pieces: I. The Grasshopper
5 Flower Songs, op. 47: II. The Succession of the Four Sweet Months
5 Flower Songs, op. 47: IV. The Evening Primrose
A Boy Was Born - 5 The Three Kings
A boy was born, op. 3: Variation 4: The Three Kings
A Boy Was Born, op.3: Variation IV: The Three Kings
A Charm of Lullabies, op. 41: II. The Highland Bales
A Charm of Lullabies, op. 41: V. The Nurse's Song
A Charm of Lullabies: 2. The Highland Balou
A Charm of Lullabies: 5. The Nurse's Song
A Midsummer Night's Dream / Act 2: A Midsummer Night's Dream, Act 2: 'On The Ground, Sleep Sound'
A Midsummer Night's Dream, op. 64, Act 2: Introduction: The wood
A Midsummer Night's Dream, opera, Op. 64: Act 2. Introduction: The Wood
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: The Soldier
Beware!, early songs (3) for medium voice & piano: 3. Epitaph: The Clerk
Billy Bud, Act Three: Scene II: The mists have cleared
Billy Bud, Act Two: Scene I: Plutarch – The Greeks and the Romans
Billy Budd: Act I, Scene I. "Christ! The poor chap..."
British Folk Songs: The Ash Grove
British Folk Songs: The Sally Gardens
Canticle IV: The Journey of the Magi, for countertenor, tenor, baritone & piano, Op. 86
Canticle V - The death of Saint Narcissus
Canticle V: The Death of Saint Narcissus, op. 89: Words by T.S. Eliot
Canticle V: The Death of St Narcissus, for tenor & harp, Op. 89
Christ's Nativity: Christmas Suite For Chorus: Sweet Was The Song
Coal Face: 3. Andante: "The Chief Coal-Producing Centres"
Coal Face: 5. Moderato: "The Temp'rature Often Reaches"
Coal Face: 6. Andante: "The Seven and a Half Hour Shift"
Coal Face: 9. Allegro molto: "The Shift Is Finished"
Coal Face: III. Andante: "The Chief Coal-Producing Centres"
Coal Face: IX. Allegro molto: "The Shift Is Finished"
Coal Face: V. Moderato: "The Temp'rature Often Reaches"
Coal Face: VI. Andante: "The Seven and a Half Hour Shift"
Curlew River, op. 71: "The moon has risen"
Death in Venice: Act I, Scene 3 (The Journey to the Lido). "Ah Serenissima!"
Death in Venice: Act I, Scene 3 (The Journey to the Lido). "Mysterious gondola"
Death in Venice: Act I, Scene 4 (The First Evening at the Hotel). "How does such beauty come about?"
Death in Venice: Act I, Scene 4 (The First Evening at the Hotel). "So I am led to Venice once again"
Death in Venice: Act I, Scene 5 (On the Beach). "The wind is from the West"
Death in Venice: Act I, Scene 6 (The Foiled Departure). "A thousand apologies to Signore"
Death in Venice: Act I, Scene 6 (The Foiled Departure). "Aou! Stagando, aou!"
Death in Venice: Act I, Scene 6 (The Foiled Departure). "I am become like one of my early heroes"
Death in Venice: Act I, Scene 6 (The Foiled Departure). "Naturally, Signore, I understand"
Death in Venice: Act I, Scene 6 (The Foiled Departure). "There you are, Signore, just in time"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "Beneath a dazzling sky the sea"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "First, the race!"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "Measure to fight"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "No boy, but Phoebus of the golden hair"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "Phaedrus learned what beauty is"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "See where Hyacinthus plays"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "The boy, Tadzio, shall inspire me"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "Try your skill"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "Up and over"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "Young discobolus"
Death in Venice: Act II, Scene 10 (The Strolling Players). "Fiorir rose in mezo al giasso"
Death in Venice: Act II, Scene 10 (The Strolling Players). "La mia nonna always used to tell me"
Death in Venice: Act II, Scene 10 (The Strolling Players). "This way for the players, Signori!"
Death in Venice: Act II, Scene 12 (The Lady of the Pearls). "So - I didn't speak!"
Death in Venice: Act II, Scene 13 (The Dream). "Receive the stranger god"
Death in Venice: Act II, Scene 14 (The Empty Beach). "Do what you will with me!"
Death in Venice: Act II, Scene 16 (The Last Visit to Venice). "Hurrah for the Piazza"
Death in Venice: Act II, Scene 17 (The Departure). "Ah, no!"
Death in Venice: Act II, Scene 17 (The Departure). "The wind still blows from the land"
Death in Venice: Act II, Scene 7 (The Games of Apollo). "So it has come to this"
Death in Venice: Act II, Scene 7 (The Games of Apollo). [Orchestral Introduction]
Death in Venice: Act II, Scene 8 (The Hotel Barber's Shop). "Guardate, Signore!"
Death in Venice: Act II, Scene 9 (The Pursuit). "And now I cannot let them out of sight"
Death in Venice: Act II, Scene 9 (The Pursuit). "Do I detect a scent?"
Death in Venice: Act II, Scene 9 (The Pursuit). "Kyrie eleison"
Fanfare: 'The Eagle has Two Heads'
Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Fish In the Unruffled Lakes
Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Night Covers Up the Rigid Land
Fish in The Unruffled Lakes, Fish In The Unruffled Lake: The Sun Shines Down
Fish in The Unruffled Lakes, Fish In The Unruffled Lake: To Lie-flat On the Back
Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Underneath the Abject Willow
Fish in The Unruffled Lakes, Fish In The Unruffled Lake: What's In Your Mind?
Folksong Arrangements, Vol. I "British Isles", for voice & piano: The trees they grow so high
Folksong Arrangements, Vol. III "British Isles", for voice & piano: The Foggy, Foggy Dew
Folksong Arrangements, Vol. III "British Isles", for voice & piano: The King is gone a-hunting
Folksong Arrangements, Vol. III "British Isles", for voice & piano: The Plough Boy
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano The Minstrel Boy
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: The last rose of Summer
Folksong Arrangements, Vol. V "British Isles", for voice & piano: The Brisk Young Widow
Folksong Arrangements, Vol. V "British Isles", for voice & piano: The Lincolnshire Poacher
Gloriana - The Courtly Dances: Corante
Gloriana - The Courtly Dances: Galliard
Gloriana - The Courtly Dances: La Volta
Gloriana - The Courtly Dances: March
Gloriana - The Courtly Dances: Morris Dance
Gloriana - The Courtly Dances: Pavan
Gloriana, op. 53, Act 1 Scene 1: II. The Tornament
Gloriana, op. 53, Act 1 Scene 1: VI. The two Lords' Explanation
Gloriana, op. 53, Act 1 Scene 2: 1I. The Queen's Song
Gloriana, op. 53, Act 1 Scene 2: 1VI. The First Duet for the Queen & Essex
Gloriana, op. 53, Act 2 Scene 1: 1IX. The Masque
Gloriana, op. 53, Act 2 Scene 3: 3III. The Queen's Burlesque
Gloriana, op. 53, Act 2 Scene 3: 3VI. The Queen's Announcement
Gloriana, op. 53, Act 3 Scene 1: 4I. The Second Duet of the Queen & Essex
Gloriana, op. 53, Act 3 Scene 1: 4II. The Dressing-Table Song
Gloriana, op. 53, Act 3 Scene 1: 4III. The Entrance of Cecil
Gloriana, op. 53, Act 3 Scene 1: 4VI. The Queen's Decision
Gloriana, op. 53, Act 3 Scene 3: 50. The Queen's Dilemma
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 1. The Tournament
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 2. The Lute Song
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Coranto
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Galliard
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Lavolta
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. March
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Pavane
Gloriana: Act I - Scene 1: 2. The Tornament
Gloriana: Act I - Scene 1: 6. The two Lords' Explanation
Gloriana: Act I - Scene 2: 2. The Queen's Song
Gloriana: Act I - Scene 2: 7. The First Duet for the Queen & Essex
Gloriana: Act II - Scene 1: 2. The Masque
Gloriana: Act II - Scene 3: 12. The Queen's Announcement
Gloriana: Act II - Scene 3: 9. The Queen's Burlesque
Gloriana: Act III - Scene 1: 3. The Second Duet of the Queen & Essex
Gloriana: Act III - Scene 1: 4. The Dressing-Table Song
Gloriana: Act III - Scene 1: 5. The Entrance of Cecil
Gloriana: Act III - Scene 1: 8. The Queen's Decision
Gloriana: Act III - Scene 3: 3. The Queen's Dilemma
God Save The Queen: Arr. Benjamin Britten
Johnson Over Jordan (Suite): The Spider and the Fly
Negroes - Music from GPO Film: "The Slaves Were the Absolute Property of Their Masters"
Negroes - Music from GPO Film: 5. Andante lento -"The More Advanced Thinkers in Europe"
Negroes: Music from GPO Film: V. Andante lento -"The More Advanced Thinkers in Europe"
Nocturne, op. 60: II. "Below The Thunders Of The Upper Deep"
Noye's Fludde, children's opera, Op. 59: The spacious firmament on high
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Have done, you men and wemen all
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Lord Jesus, think on me
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now forty dayes are fullie gone
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now in the name of God I will begyne
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, heare I behette thee a heste
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, Noye, take thou thy company
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, take thy wife anone
Noye's Fludde, op. 59, The Chester Miracle Play set to music: The spacious firmament on high
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 19. Farmer's Song: The shanty-boy invades the wood
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23. The Fight: What is it? What's happening?
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. A telegram from Hollywood
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Carry her over the water
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Rah! Another slice of turkey
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Where we are is not very far
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 27. Litany: The campfire embers are black and cold
Peter Grimes, opera, Op. 33: Act 1. Scene 1. Look! The storm cone!
Peter Grimes, opera, Op. 33: Act 1. Scene 2. The bridge is down
Peter Grimes, opera, Op. 33: Prologue. The truth - the pity
Peter Grimes: Act 1, Scene 1. Look! The storm come!
Peter Grimes: Act 1, Scene 2. The bridge is down
Peter Grimes: Prologue. The truth - the pity - and the truth
Phaedra, op. 63: V. The wife of Theseus loves Hippolytus
Praise We Great Men: "Praise We The Just"
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 4. The long night
Sacred and Profane: Eight Medieval Lyrics, op. 91: IV. The Long Night
Sacred and Profane: The long night
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 2. The Birth of Nicolas
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 9. The death of Nicolas
Saint Nicolas, op. 42: The birth of Nicolas
Saint Nicolas, op. 42: The death of Nicolas
Serenade for tenor, horn & strings, op. 31: Nocturne: The Splendour Falls on Castle Walls
Serenade for tenor, horn & strings, op. 31: Pastoral: The Day's Grown Old
Serenade for tenor, horn & strings, Op.31 - 2. Pastoral - The Day's Grown Old
Serenade for tenor, horn & strings, Op.31 - 3. Nocturne - The Splendour Falls on Castle Walls
Songs & Proverbs of William Blake, op. 74: Prisons are built...The Chimney Sweeper
Songs & Proverbs of William Blake, op. 74: The Bird anest...A Poison Tree
Songs & Proverbs of William Blake, op. 74: The hours of folly...Ah, Sun Flower
Songs & Proverbs of William Blake, op. 74: The Pride of the Peacock...London
Songs & Proverbs of William Blake, op. 74: The Tygers of wrath...The Fly
Songs & Proverbs of William Blake, op. 74: Think in the morning...The Tyger
Songs (2) by Thomas Hardy, for voice & piano: The Children and Sir Nameless
Songs From 'Friday Afternoons', op.7: The Useful Plough
Songs From The Chinese, op. 58: I. The Big Chariot
Songs From The Chinese, op. 58: II. The Old Lute
Songs From The Chinese, op. 58: III. The Autumn Wind
Songs From The Chinese, op. 58: IV. The Herd-Boy
Songs From The Chinese, op. 58: V. Depression
Songs From The Chinese, op. 58: VI. Dance Song
Spring Symphony, op. 44: II. The merry cuckoo
Spring Symphony, op. 44: IV. The driving boy
Spring Symphony, Op. 44: The Driving Boy. Allegro Molto
Spring Symphony, Op. 44: The Merry Cuckoo. Vivace
Spring Symphony, Op. 44: The Morning Star. Molto Moderato Ma Giocoso
Spring Symphony, op. 44: V. The morning star
St Nicolas, op. 42: IX. The Death of Nicolas
Suite on English folk tunes (A time there was), for orchestra, Op. 90: 2. The Bitter Withy
Suite On English Folk Tunes: "A Time There Was...", op. 90: II. The Bitter Withy
Suite On English Folk Tunes: "A Time There Was...", op. 90: IV. Hunt The Squirrel
The 1967 Recording Of "The Burning Fiery Furnace": 1I. Culshaw Reflects On Recording Techniques
The 1967 Recording Of "The Burning Fiery Furnace": 1II. The Burning Fiery Furnace & The Angel
The 1967 Recording Of "The Burning Fiery Furnace": II. The Opening Procession
The 1967 Recording Of "The Burning Fiery Furnace": V. The Village Speaks
The 1967 Recording Of "The Burning Fiery Furnace": VIII. James Blades & The Percussion
The 1967 Recording Of "The Burning Fiery Furnace": X. The God Of Gold
The ballad of little Musgrave and Lady Barnard
The Beggar's Opera, Realised Britten, op. 43, Act 1: "And Now Our Scene Changes...Fill Ev'ry Glass"
The Beggar's Opera, Realised Britten, op. 43, Act 1: A fox may steal your hens, sir
The Beggar's Opera, Realised Britten, op. 43, Act 1: A maid is like the golden ore
The Beggar's Opera, Realised Britten, op. 43, Act 1: Can love be controll'd by advice
The Beggar's Opera, Realised Britten, op. 43, Act 1: I, like a ship in storms, was tossed
The Beggar's Opera, Realised Britten, op. 43, Act 1: If Love the virgin's heart invade
The Beggar's Opera, Realised Britten, op. 43, Act 1: My heart was so free
The Beggar's Opera, Realised Britten, op. 43, Act 1: Now I am a wretch indeed...Pretty Polly say
The Beggar's Opera, Realised Britten, op. 43, Act 1: O! what pain it is to part!
The Beggar's Opera, Realised Britten, op. 43, Act 1: Our Polly is a sad slut
The Beggar's Opera, Realised Britten, op. 43, Act 1: The miser thus a shilling sees
The Beggar's Opera, Realised Britten, op. 43, Act 1: Through all the employments of life
The Beggar's Opera, Realised Britten, op. 43, Act 1: 'Tis woman seduces all mankind
The Beggar's Opera, Realised Britten, op. 43, Act 1: Were I laid on Greenland's coast
The Beggar's Opera, Realised Britten, op. 43, Act 2: Fortune be with you, Lucy
The Beggar's Opera, Realised Britten, op. 43, Act 2: If the heart of a man is depressed with cares
The Beggar's Opera, Realised Britten, op. 43, Act 2: Is then his fate decreed, sir?
The Beggar's Opera, Realised Britten, op. 43, Act 2: It is the pleasure...How cruel are the traitors
The Beggar's Opera, Realised Britten, op. 43, Act 2: No pow'r on earth can e'er divide
The Beggar's Opera, Realised Britten, op. 43, Act 2: O Macheath!...Thus when the swallow
The Beggar's Opera, Realised Britten, op. 43, Act 2: Success attend you...Let us take the road
The Beggar's Opera, Realised Britten, op. 43, Act 2: The first time at the looking-glass
The Beggar's Opera, Realised Britten, op. 43, Act 2: Thus when a good housewife sees a rat
The Beggar's Opera, Realised Britten, op. 43, Act 2: When you censure the age
The Beggar's Opera, Realised Britten, op. 43, Act 2: Why how now, Madam Flirt?
The Beggar's Opera, Realised Britten, op. 43, Act 3: A curse attends a woman's love
The Beggar's Opera, Realised Britten, op. 43, Act 3: And those two good old friends
The Beggar's Opera, Realised Britten, op. 43, Act 3: But all scores have a reckoning
The Beggar's Opera, Realised Britten, op. 43, Act 3: Come, sweet lass, let's banish sorrow
The Beggar's Opera, Realised Britten, op. 43, Act 3: In the days of my youth
The Beggar's Opera, Realised Britten, op. 43, Act 3: O cruel, cruel case
The Beggar's Opera, Realised Britten, op. 43, Act 3: Oh sir, if Peachum's heart...When he holds up
The Beggar's Opera, Realised Britten, op. 43, Act 3: Ourselves, like the great
The Beggar's Opera, Realised Britten, op. 43, Act 3: Thus gamesters united in friendship
The Beggar's Opera, Realised Britten, op. 43, Act 3: Thus I stand like the Turk
The Beggar's Opera, Realised Britten, op. 43, Act 3: Ungrateful Macheath!
The Beggar's Opera, Realised Britten, op. 43, Act 3: We are ready, sir...The charge is prepared
The Beggar's Opera, Realised Britten, op. 43, Act 3: Which way shall I turn me
The Beggar's Opera, Realised Britten, op. 43, Act 3: Would I might be hanged!
The Beggar's Opera, Realised Britten, op. 43, Prologue: If poverty be a title to poetry
The Beggar's Opera, Realised Britten, op. 43, Prologue: Overture
The Beggar's Opera: Act 1, "And now our scene changes..." / no. 19 "Fill ev'ry glass"
The Beggar's Opera: Act 1, "It is your own choice..." / no. 23 "Before the barn-door crowing"
The Beggar's Opera: Act 1, "Success attend you!" / no. 20 "Let us take the road"
The Beggar's Opera: Act 1, no. 1 "Through all the employments of life"
The Beggar's Opera: Act 1, no. 10 "I, like a ship in storms, was tossed"
The Beggar's Opera: Act 1, no. 11 "A fox may steal your hens, sir"
The Beggar's Opera: Act 1, no. 14 (Melodrama) "Now I am a wretch indeed!" / "Pretty Polly say"
The Beggar's Opera: Act 1, no. 15 "My heart was so free"
The Beggar's Opera: Act 1, no. 16 "Were I laid on Greenland's coast"
The Beggar's Opera: Act 1, no. 17 "O! what pain it is to part!"
The Beggar's Opera: Act 1, no. 18 "The miser thus a shilling sees"
The Beggar's Opera: Act 1, no. 2 "'Tis woman seduces all mankind"
The Beggar's Opera: Act 1, no. 21 "If the heart of a man is depressed with cares"
The Beggar's Opera: Act 1, no. 4 "If Love the virgin's heart invade"
The Beggar's Opera: Act 1, no. 5 "A Maid is like the golden ore"
The Beggar's Opera: Act 1, no. 7 "Our Polly is a sad slut!"
The Beggar's Opera: Act 1, no. 8 "Can love be controlled by advice?"
The Beggar's Opera: Act 1, Women are bitter bad judges... / no. 3 "If any wench Venus' girdle wear"
The Beggar's Opera: Introduction "If poverty be a title to poetry"
The Beggar's Opera: Introduction, Overture
The Bonny Earl o'Moray: arr. Benjamin Britten
The Building of the House, overture for chorus & orchestra, Op. 79
The Building Of The House: Overture, op. 79
The Burning Fiery Furnace, op. 77: Adept in magic
The Burning Fiery Furnace, op. 77: Bring them here before my Majesty
The Burning Fiery Furnace, op. 77: By the Royal Command
The Burning Fiery Furnace, op. 77: By the Royal Decree
The Burning Fiery Furnace, op. 77: Good people, in His holy name
The Burning Fiery Furnace, op. 77: Good people, we have shown you here
The Burning Fiery Furnace, op. 77: Great King Of Babylon!
The Burning Fiery Furnace, op. 77: Merodak! Lord of creation
The Burning Fiery Furnace, op. 77: O all ye works of the Lord
The Burning Fiery Furnace, op. 77: O King, Nebuchadnezzar
The Burning Fiery Furnace, op. 77: O ye Winter and Summer
The Burning Fiery Furnace, op. 77: Procession
The Burning Fiery Furnace, op. 77: Salus aeterna
The Burning Fiery Furnace, op. 77: Shadrach, Meshach, Abednego
The Burning Fiery Furnace, op. 77: Sirs, what is this?
The Burning Fiery Furnace, op. 77: The Stars Are Against Me!
The Burning Fiery Furnace, op. 77: The waters of Babylon
The Burning Fiery Furnace, op. 77: We do not lack enemies
The Children's Crusade, op. 82
The Company Of Heaven: 1I. Ye Watchers And Ye Holy Ones
The Company Of Heaven: I. Chaos
The Company Of Heaven: II. The Morning Stars
The Company Of Heaven: III. Angels Appear To Jacob, Elisha and Mary
The Company Of Heaven: IV. Christ, The Fair Glory
The Company Of Heaven: IX. Whoso Dwelleth Under The Defence Of The Most High
The Company Of Heaven: V. War in Heaven
The Company Of Heaven: VI. Heaven Is Here
The Company Of Heaven: VII. A Thousand, Thousand Gleaming Fires
The Company Of Heaven: VIII. Funeral March For A Boy
The Company Of Heaven: X. There Came Out Also At This Time
The False Knight Upon The Road
The Foggy Foggy Dew: Arr. Benjamin Britten
The Heart Of The Matter: I. Prologue: Fanfare: Song: "Where Are the Seeds Of Universal Fire"
The Heart Of The Matter: II. Reading: "The Earth Of My Heart Was Broken: Fanfare
The Heart Of The Matter: III. Song: "We Are the Darkness"
The Heart Of The Matter: IV. Reading: "In Such a Heat Of the Earth"
The Heart Of The Matter: V. Canticle III: "Still Falls the Rain"
The Heart Of The Matter: VI. Reading: "I See Christ's Wounds Weep in the Rose On the Wall"
The Heart Of The Matter: VII. Epilogue: Fanfare: Song: "So, Out Of the Dark"
The Holly and the Ivy: Coll.-sharp, arr. Britten
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 1. Oh my blacke soule
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 2. Batter my heart
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 3. O might those sighes and teares
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 4. Oh, to vex me
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 5. What if this present
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 6. Since she whom I loved
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 8. Thou hast made me
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 9. Death, be not proud
The Holy Sonnets of John Donne, op. 35: I. Oh, my blacke Soule!
The Holy Sonnets of John Donne, op. 35: II. Batter my heart
The Holy Sonnets of John Donne, op. 35: III. Oh might those sighes and teares
The Holy Sonnets of John Donne, op. 35: IV. Oh, to vex me
The Holy Sonnets of John Donne, op. 35: IX. Death, be not proud
The Holy Sonnets of John Donne, op. 35: V. What if this present
The Holy Sonnets of John Donne, op. 35: VI. Since she whom I loved
The Holy Sonnets of John Donne, op. 35: VII. At the round earth's imagined corners
The Holy Sonnets of John Donne, op. 35: VIII. Thou hast made me
The King's Stamp: Part 1, Allegretto: Messenger Boy
The King's Stamp: Part 1, Allegro moderato: Stamp Factory - Machine Starts
The King's Stamp: Part 1, Allegro molto alla marcia
The King's Stamp: Part 1, Allegro: Opening Door
The King's Stamp: Part 1, Lento ma non troppo: Entry To Lithograph Works
The King's Stamp: Part 2, Allegretto: Parliament - The Stamp Bill
The King's Stamp: Part 2, Allegretto: Train Sequence
The King's Stamp: Part 2, Allegro
The King's Stamp: Part 2, Allegro moderato alla marcia
The King's Stamp: Part 2, Minuet: Andante Lento
The Little Sweep (Let's make an opera), op. 45: Ah!...Blackguards!
The Little Sweep (Let's make an opera), op. 45: Coaching song: The horses are champing
The Little Sweep (Let's make an opera), op. 45: Help! Help! She's collapsed!
The Little Sweep (Let's make an opera), op. 45: Is he wounded?
The Little Sweep (Let's make an opera), op. 45: Morning, Sammy! Lovely weather
The Little Sweep (Let's make an opera), op. 45: Now, little white boy!
The Little Sweep (Let's make an opera), op. 45: O why do you weep
The Little Sweep (Let's make an opera), op. 45: Pull the rope gently until he is free!
The Little Sweep (Let's make an opera), op. 45: Ready, Alfred?
The Little Sweep (Let's make an opera), op. 45: Run, poor sweep-boy
The Little Sweep (Let's make an opera), op. 45: Soon the coach will carry you away
The Little Sweep (Let's make an opera), op. 45: Sooty tracks
The Little Sweep (Let's make an opera), op. 45: Sweep this chimney
The Little Sweep (Let's make an opera), op. 45: Sweep! Sweep!
The Little Sweep (Let's make an opera), op. 45: The kettles are singing
The Little Sweep (Let's make an opera), op. 45: The owl, wide-winging through the sky
The Little Sweep, children's opera, Op. 45: Scene 1. 2. Quartet: Sweep this chimney
The Little Sweep, children's opera, Op. 45: Scene 1. 3. Duet: Now, little white boy!
The Little Sweep, children's opera, Op. 45: Scene 1. 3a. Hide and Seek: Juliet! Juliet!
The Little Sweep, children's opera, Op. 45: Scene 1. 4. Shanty: Pull the rope gently
The Little Sweep, children's opera, Op. 45: Scene 1. 5. Ensemble: Is he wounded?
The Little Sweep, children's opera, Op. 45: Scene 1. 6. Marching Song: Sooty tracks upon the sheet
The Little Sweep, children's opera, Op. 45: Scene 1. 7. Trio: Sam! Sam!
The Little Sweep, children's opera, Op. 45: Scene 1. 8. Aria: Run, poor sweepboy
The Little Sweep, children's opera, Op. 45: Scene 2. 10. Ensemble: O why do you weep...
The Little Sweep, children's opera, Op. 45: Scene 2. 11. Pantomime and
The Little Sweep, children's opera, Op. 45: Scene 2. 12. Scene: Ah!... Blackguards
The Little Sweep, children's opera, Op. 45: Scene 2. 13. Finale: Help! Help! She's collapsed!
The Little Sweep, children's opera, Op. 45: Scene 3. 15. Aria: Soon the coach will carry you away
The Little Sweep, children's opera, Op. 45: Scene 3. 16. Ensemble: Morning, Sammy
The Little Sweep, children's opera, Op. 45: Scene 3. 17. Trio and Ensemble: Ready, Alfred?
The Little Sweep—A Children's Opera in three scenes Op. 45: Scene Two: Later: XI. Pantomine and
The Oxen, carol for female chorus & piano
The Poet's Echo - Lines written during a Sleepless Night
The Poet's Echo - The Nightingale and the Rose
The Prince of the Pagodas, ballet, Op. 57: Act 1. Belle Epine and the Four Kings
The Prince of the Pagodas, ballet, Op. 57: Act 1. Entry of the Four Winged Frogs
The Prince of the Pagodas, ballet, Op. 57: Act 1. Entry of the Pages and the Four Kings
The Prince of the Pagodas, ballet, Op. 57: Act 1. March and Courtiers' Dance
The Prince of the Pagodas, ballet, Op. 57: Act 1. Prelude
The Prince of the Pagodas, ballet, Op. 57: Act 1. The Fool and the Dwarf
The Prince of the Pagodas, ballet, Op. 57: Act 1. The Kings and Belle Rose
The Prince of the Pagodas, ballet, Op. 57: Act 1. The Kings bow before the Emperor
The Prince of the Pagodas, ballet, Op. 57: Act 1. The Rage of the Kings
The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of Princess Belle Epine
The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of Princess Belle Rose and Pas de Deux
The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the East
The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the North
The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the South
The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the West
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Belle Rose borne in by the Frogs
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Coda
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Pas de deux: Male and Female Flames
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Female Flame
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Fish Creatures
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Male Flame
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Sea Horses
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Waltz: Clouds, Stars and Moon
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Belle Rose hunts for the Prince
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Belle Rose in darkness
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Pas de deux: The Prince and Belle Rose
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. The Pagodas
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. The Salamander
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. Empress Belle Epine
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. The Old Emperor
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Apotheosis
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Coda
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Finale
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de six: Entrée
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de trois
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Transformation
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 1: Pas de deux
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 2: Girl's Solo
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 3: Boy's Solo
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 4: The Prince
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 5: Belle Rose
The Prince of the Pagodas, op. 57, Act 1: Belle Epine
The Prince of the Pagodas, op. 57, Act 1: Belle Rose
The Prince of the Pagodas, op. 57, Act 1: Gavotte
The Prince of the Pagodas, op. 57, Act 1: Prelude
The Prince of the Pagodas, op. 57, Act 1: Rage of the Kings
The Prince of the Pagodas, op. 57, Act 1: The Emperor: March
The Prince of the Pagodas, op. 57, Act 1: The Fool and the Dwarf
The Prince of the Pagodas, op. 57, Act 1: The Four Frogs
The Prince of the Pagodas, op. 57, Act 1: The Four Kings
The Prince of the Pagodas, op. 57, Act 1: The King of the East
The Prince of the Pagodas, op. 57, Act 1: The King of the North
The Prince of the Pagodas, op. 57, Act 1: The King of the South
The Prince of the Pagodas, op. 57, Act 1: The King of the West
The Prince of the Pagodas, op. 57, Act 1: The Kings and Belle Rose
The Prince of the Pagodas, op. 57, Act 1: Triumph of Belle Epine
The Prince of the Pagodas, op. 57, Act 2 Scene 1: Air
The Prince of the Pagodas, op. 57, Act 2 Scene 1: Fire
The Prince of the Pagodas, op. 57, Act 2 Scene 1: Water
The Prince of the Pagodas, op. 57, Act 2 Scene 2: Belle Rose in Pagoda-Land
The Prince of the Pagodas, op. 57, Act 2 Scene 2: The Pagodas
The Prince of the Pagodas, op. 57, Act 2 Scene 2: The Prince and Belle Rose
The Prince of the Pagodas, op. 57, Act 2 Scene 2: The Salamander
The Prince of the Pagodas, op. 57, Act 3 Scene 1: Belle Epine as Empress
The Prince of the Pagodas, op. 57, Act 3 Scene 1: Belle Rose and the Salamander
The Prince of the Pagodas, op. 57, Act 3 Scene 1: The Old Emperor
The Prince of the Pagodas, op. 57, Act 3 Scene 1: Transition
The Prince of the Pagodas, op. 57, Act 3 Scene 2: Finale
The Prince of the Pagodas, op. 57, Act 3 Scene 2: Pas de Deux
The Prince of the Pagodas, op. 57, Act 3 Scene 2: Pas de Six
The Prince of the Pagodas, op. 57, Act 3 Scene 2: Pas de Trois
The Prince of the Pagodas, op. 57, Act 3 Scene 2: The Pagoda Palace
The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 1
The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 2
The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 3
The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 4
The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 5
The Prodigal Son: Third Parable for Church Performance: Ah you people
The Prodigal Son: Third Parable for Church Performance: Father, may I speak to you?
The Prodigal Son: Third Parable for Church Performance: Forgive my asking you
The Prodigal Son: Third Parable for Church Performance: Go, if you must go
The Prodigal Son: Third Parable for Church Performance: I am father to you all
The Prodigal Son: Third Parable for Church Performance: Jam lucis orto sidere
The Prodigal Son: Third Parable for Church Performance: My children, you have seen
The Prodigal Son: Third Parable for Church Performance: My son
The Prodigal Son: Third Parable for Church Performance: Nights are days
The Prodigal Son: Third Parable for Church Performance: Now
The Prodigal Son: Third Parable for Church Performance: O sing unto the Lord
The Prodigal Son: Third Parable for Church Performance: Take your due portion
The Prodigal Son: Third Parable for Church Performance: The ceremony
The Prodigal Son: Third Parable for Church Performance: Welcome, welcome stranger!
The Prodigal Son: Third Parable for Church Performance: With joy I sowed
The Prodigal Son: Third Parable for Church Performance: You are tired from a long journey
The Prodigal Son: Third Parable for Church Performance: You have gambled and lost
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Here the thirsty evening
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Interlude: Tarquinius does not wait
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. It is an axiom among kings
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Lucretia! Lucretia!
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. With you two arm in arm again
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. It is better to desire
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. None of the women move
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. The oatmeal slippers of sleep
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. Their spinning wheel unwinds
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Go, Tarquinius!
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Interlude: Here in this scene you see
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Lucretia!... What do you want?
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. She sleeps as a rose
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Flowers bring to every year
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. How hideous! Take them away!
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Is all this suffering and pain
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Oh! What a lovely day!
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. This dead hand lets fall
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Too late, Junius
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Collatinus is politically astute
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Here the thirsty evening
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: It is an axiom among kings
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Listen! I heard a knock
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Maria was unmasked at a masked ball
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Rome is now ruled by the Etruscan upstart
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Tarquinius does not dare
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: The oatmeal slippers of sleep
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Their spinning-wheel unwinds
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: There goes a happy man!
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Time treads upon the hands of women
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Who reaches heaven first
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Epilogue: Is it all?
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Flowers bring to every year
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Interlude: Here in this scene
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Last night Tarquinius ravished me
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Lucretia! Lucretia!
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Lucretia!...What do you want?
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Oh! What a lovely day!
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: She sleeps as a rose
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: The prosperity of the Etruscans
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: This dead hand lets fall
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: We'll leave the orchids for Lucretia
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Within this frail crucible of light
The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: You were right
The Rape of Lucretia: Act I, Scene 1. "Collatinus is politically astute"
The Rape of Lucretia: Act I, Scene 1. "Here the thirsty evening"
The Rape of Lucretia: Act I, Scene 1. "It is axiom among kings"
The Rape of Lucretia: Act I, Scene 1. "Maria was unmasked at a masked ball"
The Rape of Lucretia: Act I, Scene 1. "My horse! My horse!" / "Tarquinius does not wait"
The Rape of Lucretia: Act I, Scene 1. "Rome is now ruled by the Etruscan upstart"
The Rape of Lucretia: Act I, Scene 1. "Tarquinius does not dare"
The Rape of Lucretia: Act I, Scene 1. "There goes a happy man!"
The Rape of Lucretia: Act I, Scene 1. "Who reaches Heaven first"
The Rape of Lucretia: Act I, Scene 2. "Listen! I heard a knock"
The Rape of Lucretia: Act I, Scene 2. "The oatmeal slippers of sleep"
The Rape of Lucretia: Act I, Scene 2. "Their spinning-wheel unwinds"
The Rape of Lucretia: Act I, Scene 2. "Time treads upon the hand of women"
The Rape of Lucretia: Act II, Scene 1. "Lucretia!" / "What do you want?"
The Rape of Lucretia: Act II, Scene 1. "She sleeps as a rose"
The Rape of Lucretia: Act II, Scene 1. "The prosperity of the Etruscans"
The Rape of Lucretia: Act II, Scene 1. "Within this frail crublicle of light"
The Rape of Lucretia: Act II, Scene 1. Interlude "Here in this scene"
The Rape of Lucretia: Act II, Scene 2. "Flowers bring to every year"
The Rape of Lucretia: Act II, Scene 2. "Last night Tarquinius ravished me"
The Rape of Lucretia: Act II, Scene 2. "Lucretia! Lucretia!"
The Rape of Lucretia: Act II, Scene 2. "Oh what a lovely day!"
The Rape of Lucretia: Act II, Scene 2. "This dead hand lets fall"
The Rape of Lucretia: Act II, Scene 2. "We'll leave the orchids for Lucretia"
The Rape of Lucretia: Act II, Scene 2. "You were right"
The Rape of Lucretia: Act II, Scene 2. Epilogue "Is that all?"
The Rape of Lucrezia, op. 37 (excerpts): Collatinus Is Politically Astute
The Rape of Lucrezia, op. 37 (excerpts): Here the Thirsty Evening
The Rape of Lucrezia, op. 37 (excerpts): It Is an Axiom Among Kings
The Rape of Lucrezia, op. 37 (excerpts): Listen! I Heard a Knock
The Rape of Lucrezia, op. 37 (excerpts): Maria Was Unmasked at a Masked Ball
The Rape of Lucrezia, op. 37 (excerpts): My Horse! My Horse!
The Rape of Lucrezia, op. 37 (excerpts): Rome Is Now Ruled by the Etruscan Upstart
The Rape of Lucrezia, op. 37 (excerpts): Tarquinus Does Not Dare
The Rape of Lucrezia, op. 37 (excerpts): The Oatmeal Slippers of Sleep
The Rape of Lucrezia, op. 37 (excerpts): Their Spinning Wheel Unwinds
The Rape of Lucrezia, op. 37 (excerpts): There Goes a Happy Man
The Rape of Lucrezia, op. 37 (excerpts): Time Trads Upon the Hands of Women
The Rape of Lucrezia, op. 37 (excerpts): Who Reaches Heaven First
The Rescue Of Penelope, Part 1: Children Have Died Of Want
The Rescue Of Penelope, Part 1: Eight Years Have Passed
The Rescue Of Penelope, Part 1: Listen. The Voices Of The Gods
The Rescue Of Penelope, Part 1: Long Suffering Odysseus
The Rescue Of Penelope, Part 1: Worse Still, The Island
The Rescue Of Penelope, Part 1: Yet Not All Reached Their Homes
The Rescue Of Penelope, Part 1: Yet Some Trust in An End
The Rescue Of Penelope, Part 1: Your Prayer Is Answered, Penelope
The Rescue Of Penelope, Part 2: Bold: Telemachus, Watch The Shadow On The Wall!
The Rescue Of Penelope, Part 2: How Loud The Spring Sounds All Of A Sudden
The Rescue Of Penelope, Part 2: I, Athene, Rise To The Edge Of Night
The Rescue Of Penelope, Part 2: Listen, Lords Of Ithaca
The Rescue Of Penelope, Part 2: Now There Is Silence
The Rescue Of Penelope, Part 2: Telemachus, Be Swift!
The Rescue Of Penelope, Part 2: There It Is Before You
The Rescue Of Penelope, Part 2: When I See The Sorrow Of Mortal Odysseus
The Sally Gardens: Arr. Britten
The Tocher (Rossini Suite): 1. Allegro brillante
The Tocher (Rossini Suite): 2. Allegretto
The Tocher (Rossini Suite): 3. Allegretto
The Tocher (Rossini Suite): 4. Bolero: Allegro moderato
The Tocher (Rossini Suite): 5. Allegro con brio
The Tocher (Rossini Suite): I. Allegro Brillante
The Tocher (Rossini Suite): II. Allegretto
The Tocher (Rossini Suite): III. Allegretto
The Tocher (Rossini Suite): IV. Bolero: Allegro Moderato
The Tocher (Rossini Suite): V. Allegro Con Brio
The Trees They Grow So High: arr. Britten
The Turn of the Screw, Act I Scene 1: The Journey
The Turn of the Screw, Act I Scene 2: The Welcome
The Turn of the Screw, Act I Scene 3: The Letter
The Turn of the Screw, Act I Scene 4: The Tower
The Turn of the Screw, Act I Scene 5: The Window
The Turn of the Screw, Act I Scene 6: The Lesson
The Turn of the Screw, Act I Scene 7: The Lake
The Turn of the Screw, Act I Scene 8: At Night
The Turn of the Screw, Act I: Theme
The Turn of the Screw, Act I: Variation I
The Turn of the Screw, Act I: Variation II
The Turn of the Screw, Act I: Variation III
The Turn of the Screw, Act I: Variation IV
The Turn of the Screw, Act I: Variation V
The Turn of the Screw, Act I: Variation VI
The Turn of the Screw, Act I: Variation VII
The Turn of the Screw, Act II Scene 1: Colloquy and Soliloquy
The Turn of the Screw, Act II Scene 2: The Bells
The Turn of the Screw, Act II Scene 3: Miss Jessel
The Turn of the Screw, Act II Scene 4: The Bedroom
The Turn of the Screw, Act II Scene 5: Quint
The Turn of the Screw, Act II Scene 6: The Piano
The Turn of the Screw, Act II Scene 7: Flora
The Turn of the Screw, Act II Scene 8: Miles
The Turn of the Screw, Act II: Variation IX
The Turn of the Screw, Act II: Variation VIII
The Turn of the Screw, Act II: Variation X
The Turn of the Screw, Act II: Variation XI
The Turn of the Screw, Act II: Variation XII
The Turn of the Screw, Act II: Variation XIII
The Turn of the Screw, Act II: Variation XIV
The Turn of the Screw, Act II: Variation XV
The Turn of the Screw, op. 54, Act One: Interlude: Theme: Scene 1: The Journey
The Turn of the Screw, op. 54, Act One: Interlude: Variation I: Scene 2: The Welcome
The Turn of the Screw, op. 54, Act One: Interlude: Variation II: Scene 3: The Letter
The Turn of the Screw, op. 54, Act One: Interlude: Variation III: Scene 4: The Tower
The Turn of the Screw, op. 54, Act One: Interlude: Variation IV: Scene 5: The Window
The Turn of the Screw, op. 54, Act One: Interlude: Variation V: Scene 6: The Lesson
The Turn of the Screw, op. 54, Act One: Interlude: Variation VI: Scene 7: The Lake
The Turn of the Screw, op. 54, Act One: Interlude: Variation VII: Scene 8: At Night
The Turn of the Screw, op. 54, Act One: Prologue
The Turn of the Screw, op. 54, Act One: Theme: Scene 1: The Journey
The Turn of the Screw, op. 54, Act Two: Interlude: Variation IX: Scene 2: The Bells
The Turn of the Screw, op. 54, Act Two: Interlude: Variation VIII: Scene 1: Colloquy and So- lioquy
The Turn of the Screw, op. 54, Act Two: Interlude: Variation X: Scene 3: Miss Jessel
The Turn of the Screw, op. 54, Act Two: Interlude: Variation XI: Scene 4: The Bedroom
The Turn of the Screw, op. 54, Act Two: Interlude: Variation XII: Scene 5: Quint
The Turn of the Screw, op. 54, Act Two: Interlude: Variation XIII: Scene 6: The Piano
The Turn of the Screw, op. 54, Act Two: Interlude: Variation XIV: Scene 7: Flora
The Turn of the Screw, op. 54, Act Two: Interlude: Variation XV: Scene 8: Miles
The Turn of the Screw, op. 54: Act 1: Scene 1. The Journey
The Turn of the Screw, op. 54: Act 1: Scene 2. The Welcome
The Turn of the Screw, op. 54: Act 1: Scene 3. The Letter
The Turn of the Screw, op. 54: Act 1: Scene 4. The Tower
The Turn of the Screw, op. 54: Act 1: Scene 5. The Window
The Turn of the Screw, op. 54: Act 1: Scene 6. The Lesson
The Turn of the Screw, op. 54: Act 1: Scene 7. The Lake
The Turn of the Screw, op. 54: Act 1: Scene 8. At Night
The Turn of the Screw, op. 54: Act 1: Theme
The Turn of the Screw, op. 54: Act 1: Variation I
The Turn of the Screw, op. 54: Act 1: Variation II
The Turn of the Screw, op. 54: Act 1: Variation III
The Turn of the Screw, op. 54: Act 1: Variation IV
The Turn of the Screw, op. 54: Act 1: Variation V
The Turn of the Screw, op. 54: Act 1: Variation VI
The Turn of the Screw, op. 54: Act 1: Variation VII
The Turn of the Screw, op. 54: Act 2: Scene 1. Colloquy and Soliloquy
The Turn of the Screw, op. 54: Act 2: Scene 2. The Bells
The Turn of the Screw, op. 54: Act 2: Scene 3. Miss Jessel
The Turn of the Screw, op. 54: Act 2: Scene 4. The Bedroom
The Turn of the Screw, op. 54: Act 2: Scene 5. Quint
The Turn of the Screw, op. 54: Act 2: Scene 6. The Piano
The Turn of the Screw, op. 54: Act 2: Scene 7. Flora
The Turn of the Screw, op. 54: Act 2: Scene 8. Miles
The Turn of the Screw, op. 54: Act 2: Variation IX
The Turn of the Screw, op. 54: Act 2: Variation VIII
The Turn of the Screw, op. 54: Act 2: Variation X
The Turn of the Screw, op. 54: Act 2: Variation XI
The Turn of the Screw, op. 54: Act 2: Variation XII
The Turn of the Screw, op. 54: Act 2: Variation XIII
The Turn of the Screw, op. 54: Act 2: Variation XIV
The Turn of the Screw, op. 54: Act 2: Variation XV
The Turn of the Screw, op. 54: Prologue
The Turn of the Screw: Prologue
The Way to the Sea: "169 Trains a Week"
The Way to the Sea: "Here Is a Harbour"
The Way to the Sea: "Nelson Has Gone"
The Way to the Sea: "The Eighteenth Century"
The Way to the Sea: "The Line Waits"
The Way to the Sea: "There Is, at This Point of the Haven"
The Way to the Sea: "We Seek a Spectacle"
The Way to the Sea: Allegro molto - alla marcia
The Way to the Sea: Introduction
The Young Person's Guide to the Orchestra
The Young Person's Guide to the Orchestra - Fugue
The Young Person's Guide to the Orchestra - Part 13/25
The Young Person's Guide to the Orchestra - Part 6/25
The young person's guide to the orchestra (Ausschnitt): Blechbläser
The young person's guide to the orchestra (Ausschnitt): Holzbläser
The young person's guide to the orchestra (Ausschnitt): Schlaginstrumente
The young person's guide to the orchestra (Ausschnitt): Streicher und Harfe
The young person's guide to the orchestra (Ausschnitt): Tutti
The Young Person's Guide to the Orchestra, op. 34
The Young Person's Guide to the Orchestra, Op. 34: Theme
The Young Person's Guide to the Orchestra, Op.34
The Young Person's Guide to the Orchestra, op.34, without spoken text: Fugue: Allegro molto
The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation B: Oboes: Lento
The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation G: Cellos
The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation I: Harp: Maestoso
The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation K: Trumpets: Vivace
The Young Person's Guide to the Orchestra, Part 1
The Young Person's Guide to the Orchestra, Part 2
The Young Person's Guide to the Orchestra, Part 3
The Young Person's Guide to the Orchestra, Part 4
The Young Person's Guide to the Orchestra, Part 5
The Young Person's Guide to the Orchestra, Part 6
The Young Person's Guide to the Orchestra, Part 7
The Young Person's Guide to the Orchestra: 1. Einleitung - Alles beginnt mit einer Idee
The Young Person's Guide to the Orchestra: 2. Das ganze Orchester
The Young Person's Guide to the Orchestra: 3. Die Holzbläser
The Young Person's Guide to the Orchestra: 4. Die Streicher
The Young Person's Guide to the Orchestra: 5. Die Harfe
The Young Person's Guide to the Orchestra: 6. Die Blechbläser
The Young Person's Guide to the Orchestra: 7. Das Schlagzeug
The Young Person's Guide to the Orchestra: 8. Finale
Three Two-Part Songs (1932): 2 The Rainbow
Three Two-Part Songs (1932): I. The Ride-by-Nights
Three Two-Part Songs (1932): III. The Ship Of Rio
Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 1. The Journey
Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 2. The Welcome
Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 3. The Letter
Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 4. The Tower
Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 5. The Window
Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 6. The Lesson
Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 7. The Lake
Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 2. The Bells
Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 4. The Bedroom
Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 6. The Piano
Who Are These Children?, op. 84: 1I. The Children
Who Are These Children?, op. 84: 1II. The Auld Aik
Who Are These Children?, op. 84: VIII. The Larky Lad
Winter Words, op.52 - The choirmaster's burial
Winter Words, op.52 - The little old table
Winter Words, song cycle for tenor & piano, Op. 52: 4. The Little Old Table
Young Person's Guide To The Orchestra
On this Island, song cycle for voice & piano, Op. 11: 5. As it is; plenty
Simple Symphony; ‘Royal Bank of Scotland'
Violin Concerto, op. 15: III. Passacaglia; Andante lento
Waltzes (5), for piano: 4. Rhythmic; not fast
War Requiem: Agnus Dei; Chorus
War Requiem: Dies irae; Be slowly lifted up
War Requiem: Dies irae; Bugles Sang
War Requiem: Dies irae; Chorus
War Requiem: Dies irae; Confutatis
War Requiem: Dies irae; Lacrimosa
War Requiem: Dies irae; Liber scriptus
War Requiem: Dies irae; Out there, we walked quite friendly up to death
War Requiem: Dies irae; Recordare
War Requiem: Dies irae; Reprise
War Requiem: Libera me; In paradisum
War Requiem: Libera me; Requiem Aeternam, Requiescant in Pace
War Requiem: Libera me; Solo & Chorus
War Requiem: Libera me; Strange Meeting
War Requiem: Offertorium; Domine Jesu Christe, Quam olim Abrahae
War Requiem: Offertorium; Isaac and Abram, Hostias et preces tibi
War Requiem: Requiem aeternam; Chorus
War Requiem: Requiem aeternam; Kyrie Eleison